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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Perhaps, when I have written the book, you won’t give it a second thought. But meanwhile, the memories I send you now, so far away from you in every sense, inebriated as you are with feasting and flowers, will bring a refreshing breeze to play upon the feverish round of your endless revelry. On the day you go back there, if you ever do go back, and we sit together again, kicking up stones with our feet and visions in our thoughts, perhaps we shall talk about those other breezes that life elsewhere has to offer. Imagine, if you like, that my mind is fixed on that unknown little corner of the world because you once stepped into it, or in order to avert my gaze from the dazzling glare of precious stones and fevered expectation that accompanies your every movement, or because I have sought you out in vain in all the places smiled upon by fashion. So you see, you always take the lead in my thoughts, as you do in the theatre!

Do you also recall that old man at the tiller of our boat? You owe it to him to remember, because he saved you a dozen times from soaking your fine blue stockings. He died down there, poor devil, in the town hospital, in a huge white ward, between white sheets, chewing white bread, assisted by the white hands of the Sisters of Charity, whose only weakness was their failure to comprehend the string of woes that the wretched fellow mumbled forth in his semi-barbaric dialect.

But if there was one thing he would have wanted above all else, it was to die in that shaded little corner beside his own hearth, where he had slept for so many years ‘below his own roof’, which is why, when they carried him away, he was in tears, whining as only the old are able to.

He had spent his whole life between those four walls, looking out on that lovely but treacherous sea with which he had had to wrestle every day of his life to extract what he needed to survive without coming to a watery end. And yet for that brief moment in time when he was silently relishing his place in the sun, huddled on the thwart of the boat with his arms round his knees, he wouldn’t have turned his head to admire you, and you would have looked in vain into those spellbound eyes for the proud reflection of your beauty, as when so many of the high and mighty bow their heads as they make way for you in the fashionable salons, and you see your reflection in the envious eyes of your best women friends.

Life is rich, as you see, in its inexhaustible variety, and you can enjoy that part of its richness that has come your way just as you please.

Take that young woman, for instance, who peeped out from behind the pots of basilico when the rustling of your dress set off a clamour in the street. When she espied your famous face in the window opposite she beamed as though she too were dressed in silk. Who knows what simple joys filled her thoughts as she stood at that window behind the fragrant basilico, her eyes fixed intently on the house opposite, bedecked with branches of vine. And the laughter in her eyes would not have turned later into bitter tears in the big city, far away from the four walls that had witnessed her birth and watched her grow up, if her grandfather hadn’t died in the hospital, and her father hadn’t drowned, and her family hadn’t been scattered by a puff of wind that had blown right through it – a puff of ruinous wind, which had carried one of her brothers off to prison on the island of Pantelleria, or ‘into trouble’, as they say in those parts.