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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

She went out on to the balcony. How much air, how much blue! The apartment buildings seemed to be covered by a blue veil, and below was the alley, like a ravine, with so many ants coming and going … like her relatives. What were they doing? Where were they going? They went in and out of their holes, carrying big crumbs of bread, they were doing this now, had done it yesterday, would do it tomorrow, forever, forever. So many holes, so many ants. And around them, almost invisible in the great light, the world made by God, with the wind, the sun, and out there the purifying sea, so vast … She was standing there, her chin planted on the iron railing, suddenly thoughtful, with an expression of sorrow, of bewilderment, that made her look ugly. She heard the sound of the marchesa’s voice, calm, pious. In her hand, in her smooth ivory hand, the marchesa was holding a small book covered in black paper with gilt letters.

‘It’s the thoughts of the saints, my dear. The youth of today don’t read anything, and so the world has changed course. Take it, I’m giving it to you. But you must promise to read a little every evening, now that you’ve got your glasses.’

‘Yes, Signora,’ said Eugenia, in a hurry, blushing again because the marchesa had found her on the balcony, and she took the book. Signora D’Avanzo regarded her with satisfaction.

‘God wished to save you, my dear!’ she said, going to get the package with the dress and placing it in her hands. ‘You’re not pretty, anything but, and you already appear to be an old lady. God favours you, because looking like that you won’t have opportunities for evil. He wants you to be holy, like your sisters!’

Although the words didn’t really wound her, because she had long been unconsciously prepared for a life without joy, Eugenia was nevertheless disturbed by them. And it seemed to her, if only for a moment, that the sun no longer shone as before, and even the thought of the eyeglasses no longer cheered her. She looked vaguely, with her nearly dead eyes, at a point on the sea, where the Posillipo peninsula extended like a faded green lizard. ‘Tell Papà,’ the marchesa continued, meanwhile, ‘that we won’t do anything about the child’s mattress today. My cousin telephoned, and I’ll be in Posillipo all day.’

‘I was there once, too …’ Eugenia began, reviving at the name of that place and she looked, spellbound, in that direction.

‘Yes? Is that so?’ Signora D’Avanzo was indifferent; the name of the place meant nothing special to her. In her magisterial fashion, she accompanied the child, who was still looking towards that luminous point, to the door, closing it slowly behind her.

As Eugenia came down the last step and out into the courtyard, the shadow that had been darkening her forehead for a while disappeared, and her mouth opened in a joyful laugh, because she had seen her mother arriving. It wasn’t hard to recognize that worn, familiar figure. She threw the dress on a chair and ran towards her.