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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Mamma! The eyeglasses!’

‘Gently, my dear, you’ll knock me over!’

Immediately, a small crowd formed. Donna Mariuccia, Don Peppino, one of the Greborios, who had stopped to rest on a chair before starting up the stairs, the Amodios’ maid, who was just then returning, and, of course, Pasqualino and Teresella, who wanted to see, too, and yelled, holding out their hands. Nunziata, for her part, was observing the dress that she had taken out of the newspaper, with a disappointed expression.

‘Look, Mariuccia, it’s an old rag … all worn out under the arms!’ she said, approaching the group. But who was paying attention to her? At that moment, Donna Rosa was extracting from a pocket in her dress the eyeglasses case, and with infinite care, she opened it. On her long red hand, a kind of very shiny insect with two giant eyes and two curving antennae glittered in a pale ray of sun amid those poor people, full of admiration.

‘Eight thousand lire … a thing like that!’ said Donna Rosa, gazing at the eyeglasses religiously, and yet with a kind of rebuke.

Then, in silence, she placed them on Eugenia’s face, as the child ecstatically held out her hands, and carefully arranged the two antennae behind her ears. ‘Now can you see?’ Donna Rosa asked with great emotion.

Gripping the eyeglasses with her hands, as if fearful that they would be taken away from her, her eyes half closed and her mouth half open in a rapt smile, Eugenia took two steps backward, and stumbled on a chair.

‘Good luck!’ said the Amodios’ maid.

‘Good luck!’ said the Greborio sister.

‘She looks like a schoolteacher, doesn’t she?’ Don Peppino observed with satisfaction.

‘Not even a thank you!’ said Aunt Nunzia, looking bitterly at the dress. ‘With all that, good luck!’

‘She’s afraid, my little girl!’ murmured Donna Rosa, heading towards the door of the basement room to put down her things. ‘She’s wearing the eyeglasses for the first time!’ she said, looking up at the first-floor balcony, where the other Greborio sister was looking out.

‘I see everything very tiny,’ said Eugenia, in a strange voice, as if she were speaking from under a chair. ‘Black, very black.’

‘Of course: the lenses are double. But do you see clearly?’ asked Don Peppino. ‘That’s the important thing. She’s wearing the glasses for the first time,’ he, too, said, addressing Cavaliere Amodio, who was passing by, holding an open newspaper.

‘I’m warning you,’ the cavaliere said to Mariuccia, after staring at Eugenia for a moment, as if she were merely a cat, ‘that stairway hasn’t been swept. I found some fish bones in front of the door!’ And he went on, bent over, almost enfolded in his newspaper, reading an article about a proposal for a new pension law that interested him.