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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘On the other hand, they have to vent, too,’ Donna Mariuccia answered. ‘They’re innocent souls. They need time to weep. When I look at them, and think how they’ll become just like us –’ she went to get a broom and swept a cabbage leaf out of the doorway – ‘I wonder what God is doing.’

‘It’s new, brand new! You hardly wore it!’ said Eugenia, sticking her nose in the green dress lying on the sofa in the kitchen, while the marchesa went looking for an old newspaper to wrap it in.

The marchesa thought that the child really couldn’t see, because otherwise she would have realized that the dress was very old and full of patches (it had belonged to her dead sister), but she refrained from commenting. Only after a moment, as she was coming in with the newspaper, she asked:

‘And the eyeglasses your aunt got you? Are they new?’

‘With gold frames. They cost eight thousand lire,’ Eugenia answered all in one breath, becoming emotional again at the thought of the honour she had received, ‘because I’m almost blind,’ she added simply.

‘In my opinion,’ said the marchesa, carefully wrapping the dress in the newspaper, and then reopening the package because a sleeve was sticking out, ‘your aunt could have saved her money. I saw some very good eyeglasses in a shop near the Church of the Ascension, for only two thousand lire.’

Eugenia blushed fiery red. She understood that the marchesa was displeased. ‘Each to his own position in life. We all must know our limitations,’ she had heard her say this many times, talking to Donna Rosa, when she brought her the washed clothes, and stayed to complain of her poverty.

‘Maybe they weren’t good enough. I have nine diopters,’ she replied timidly.

The marchesa arched an eyebrow, but luckily Eugenia didn’t see it.

‘They were good, I’m telling you,’ the marchesa said obstinately, in a slightly harsher voice. Then she was sorry. ‘My dear,’ she said more gently, ‘I’m saying this because I know the troubles you have in your household. With that difference of six thousand lire, you could buy bread for ten days, you could buy … What’s the use to you of seeing better? Given what’s around you!’ A silence. ‘To read, maybe, but do you read?’

‘No, Signora.’

‘But sometimes I’ve seen you with your nose in a book. A liar as well, my dear. That is no good.’

Eugenia didn’t answer again. She felt truly desperate, staring at the dress with her nearly white eyes.

‘Is it silk?’ she asked stupidly.

The marchesa looked at her, reflecting.

‘You don’t deserve it, but I want to give you a little gift,’ she said suddenly, and headed towards a white wooden wardrobe. At that moment the telephone, which was in the hall, began to ring, and instead of opening the wardrobe the marchesa went to answer it. Eugenia, oppressed by those words, hadn’t even heard the old woman’s consoling allusion, and as soon as she was alone she began to look around as far as her poor eyes allowed her. How many fine, beautiful things! Like the store on Via Roma! And there, right in front of her, an open balcony with many small pots of flowers.