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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

She let her hands fall, only to burst into a great lament. ‘Our Lady of Sorrows, Holy Jesus, by the wounds in your ribs let me die!’

Eugenia wept, too, in torrents.

‘Aunt, forgive me. Aunt …’

‘Uh … uh … uh …’ said Pasqualino, his mouth wide open.

‘Poor child,’ said Donna Mariuccia, coming over to Eugenia, who didn’t know where to hide her face, now streaked with red and tears at her aunt’s rage. ‘She didn’t do it on purpose, Nunzia, calm down,’ and to Eugenia: ‘Where’ve you got the candies?’

Eugenia answered softly, hopelessly, holding out one in her dirty hand: ‘I ate the other. I was hungry.’

Before her aunt could move again, to attack the child, the voice of the marchesa could be heard, from the fourth floor, where there was sun, calling softly, placidly, sweetly:

‘Nunziata!’

Aunt Nunzia looked up, her face pained as that of the Madonna of the Seven Sorrows, which was at the head of her bed.

‘Today is the first Friday of the month. Dedicate it to God.’

‘Marchesa, how good you are! These kids make me commit so many sins, I’m losing my mind, I …’ And she collapsed her face between her paw-like hands, the hands of a worker, with brown, scaly skin.

‘Is your brother not there?’

‘Poor Aunt, she got you the eyeglasses, and that’s how you thank her,’ said Mariuccia meanwhile to Eugenia, who was trembling.

‘Yes, Signora, here I am,’ answered Don Peppino, who until that moment had been half hidden behind the door of the basement room, waving a piece of cardboard in front of the stove where the beans for lunch were cooking.

‘Can you come up?’

‘My wife went to get the eyeglasses for Eugenia. I’m watching the beans. Would you wait, if you don’t mind?’

‘Then send up the child. I have a dress for Nunziata. I want to give it to her.’

‘May God reward you … very grateful,’ answered Don Peppino, with a sigh of consolation, because that was the only thing that could calm his sister. But looking at Nunziata, he realized that she wasn’t at all cheered up. She continued to weep desperately, and that weeping had so stunned Pasqualino that the child had become quiet as if by magic, and was now licking the snot that dripped from his nose, with a small, sweet smile.

‘Did you hear? Go up to the Signora Marchesa, she has a dress to give you,’ said Don Peppino to his daughter.

Eugenia was looking at something in the void, with her eyes that couldn’t see: they were staring, fixed and large. She winced, and got up immediately, obedient.

‘Say to her: ‘May God reward you,’ and stay outside the door.’

‘Yes, Papa.’

‘Believe me, Mariuccia,’ said Aunt Nunzia, when Eugenia had gone off, ‘I love that little creature, and afterward I’m sorry, as God is my witness, for scolding her. But I feel all the blood go to my head, believe me, when I have to fight with the kids. Youth is gone, as you see –’ and she touched her hollow cheeks. ‘Sometimes I feel like a madwoman.’