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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘But now Aunt Nunzia’s gotten you some eyeglasses,’ Don Vincenzo, who had heard her, broke in, winking, with an air of teasing comprehension. He, too, wore glasses.

‘At your age,’ he said, handing her the candies, ‘I could see like a cat, I could thread needles at night, my grandmother always wanted me nearby … but now I’m old.’

Eugenia nodded vaguely. ‘My friends … none of them have glasses,’ she said. Then, turning to the servant Rosaria, but speaking also for Don Vincenzo’s benefit: ‘Just me … Nine diopters on one side and ten on the other … I am almost blind!’ she said emphatically, sweetly.

‘See how lucky you are,’ said Don Vincenzo, smiling, and to Rosaria: ‘How much salt?’

‘Poor child!’ the Amodios’ maid commented as Eugenia left, happily. ‘It’s the dampness that’s ruined her. In that building it rains on us. Now Donna Rosa’s bones ache. Give me a kilo of coarse salt and a packet of fine …’

‘There you are.’

‘What a morning, eh, today, Don Vincenzo? It seems like summer already.’

Walking more slowly than she had on the way there, Eugenia, without even realizing it, began to unwrap one of the two candies, and then put it in her mouth. It tasted of lemon. ‘I’ll tell Aunt Nunzia that I lost it on the way,’ she proposed to herself. She was happy, it didn’t matter to her if her aunt, good as she was, got angry. She felt someone take her hand, and recognized Luigino.

‘You are really blind!’ the boy said, laughing. ‘And the glasses?’

‘Mamma went to Via Roma to get them.’

‘I didn’t go to school; it’s a beautiful day, why don’t we take a little walk?’

‘You’re crazy! Today I have to be good.’

Luigino looked at her and laughed, with his mouth like a money box, stretching to his ears, contemptuous.

‘What a rat’s nest.’

Instinctively Eugenia brought a hand to her hair.

‘I can’t see well, and Mamma doesn’t have time,’ she answered meekly.

‘What are the glasses like? With gold frames?’ Luigino asked.

‘All gold!’ Eugenia answered, lying. ‘Bright and shiny!’

‘Old women wear glasses,’ said Luigino.

‘Also ladies, I saw them on Via Roma.’

‘Those are dark glasses, for sunbathing,’ Luigino insisted.

‘You’re just jealous. They cost eight thousand lire.’

‘When you have them, let me see them,’ said Luigino. ‘I want to see if the frame’s really gold. You’re such a liar,’ and he went off on his own business, whistling.

Re-entering the courtyard, Eugenia wondered anxiously if her glasses would have gold frames or not. In the negative case, what could she say to Luigino to convince him that they were a thing of value? But what a beautiful day! Maybe Mamma was about to return with the glasses wrapped in a package. Soon she would have them on her face. She would have … A frenzy of blows fell on her head. A real fury. She seemed to collapse; in vain she defended herself with her hands. It was Aunt Nunzia, of course, furious because of her delay, and behind Aunt Nunzia was Pasqualino, like a madman, because he didn’t believe her story about the candies. ‘Bloodsucker! You ugly little blind girl! And I gave my life for this ingratitude … You’ll come to a bad end! Eight thousand lire, no less. They bleed me dry, these scoundrels.’