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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

No, she had never met her father; her mother, maybe; she remembered, thanks to certain minor details, certain gifts, a young woman who must have been her mother: a little gold chain with a coral pendant, a young woman with blonde hair she’d seen two or three times. No brothers or sisters. At that point in the questioning, however, she spoke at length and with enthusiasm about her grandfather, whom all the other children had seen, since he had inspected the whole camp on the day of their arrival. They knew he was one of the founders.

‘Is your grandfather rich?’ one of the kids asked. He was the oldest one in the colony, a veteran who had been coming for a few years, and had scaly skin that smelled like fish and eggs.

‘I don’t know,’ Silvia replied.

‘But what does he do?’

‘He owns a bicycle factory.’

‘That means he’s rich,’ the boys and girls all said at the same time. ‘That’s why you have nicer clothes than we do.’

Silvia didn’t like having a rich grandfather, or being better dressed than them. Not because the other children were poor, much poorer than she was, or because her grandfather’s presumed wealth or her different clothes made her an object of curiosity and questions, but because she felt estranged. And she mainly felt estranged because of her great sensitivity to smells which, furthermore, stirred up great excitement among the other children, who stuck weeds under her nose, a bay leaf, a butterfly, and she, blindfolded, could recognize everything, never once making a mistake. But she also felt estranged for another reason, and this reason, which was closely connected to her sensitivity to smells, was that twilight feeling, only now she felt it at other times, even during the day, and at night. She could only describe the feeling by saying to herself, ‘I feel like crying.’

August arrived, and the ‘I feel like crying’ feeling got stronger, for some reasons that were quite clear and others that accumulated with the passing of days; in fact the smells had turned slightly colder, different from before. In some sense they were changing: maybe the sun warmed things less, and besides, it seemed to her that the cicadas and crickets no longer chirped as much. This evolution in the quality and substance of the smells and in the timbre of sounds and murmurs was more pronounced and perceptible at dusk, always at the same time, after the brief service in the chapel, and at that hour even the colours in the sky were no longer the same. For a few days Silvia was allowed to wear the clothes and sandals the others did, but – and this was something she would never have expected – her sense of estrangement grew. Dressed like the others, she felt even more different, and the ‘crying’ feeling increased. She went back to her own clothes. One day a thunderstorm turned the camp cold, then the sun returned, but it only occasionally poked through quickly moving clouds, grey and pink and beige. In those days of fluctuating weather Silvia wanted to cry very much and sometimes she went to cry in the lavatory.