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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Photos were taken of the group: Silvia dressed in her clothes, her eyes hidden behind her bushy red hair, in the middle of all the others who were dressed the same way. The nuns explained that souvenir pictures were taken every year and Silvia asked to see the ones from previous years. The Mother Superior took her into her office, where other pictures like the one they’d just taken were hanging on the wall: she saw a group of boys and girls wearing the camp uniform, with the same nuns, against the same background. A few of the same children were in the camp that year too.

‘And the others?’ Silvia asked the Mother Superior.

‘The others have grown up,’ the Mother Superior said. ‘They don’t come to the camp any more.’

Even this response, and those photos, each the same as the others, also the same as the one that they’d taken a few days before in the same corner of the big square under the flagpole, plunged Silvia into that ‘crying’ mood, which got worse day by day, so much so that Silvia had to go and cry in the lavatory. It was a moment; then it passed.

August came to an end, and her grandfather came to get her. The children wanted to see him and clung to his trousers as he passed out sweets to everyone. Silvia’s suitcase was packed and they said goodbye to the Mother Superior in her office, along with all the other nuns. Naturally her grandfather asked the nuns how Silvia had liked her summer, and how she’d behaved.

‘I’d say she liked it very much, am I right?’ the Mother Superior asked, looking over at Silvia.

‘Oh yes, very much,’ Silvia replied.

‘Are you sad to go back home?’ her grandfather asked.

Silvia said No. She listened to what the nun and her grandfather were saying, and the Mother Superior, speaking of Silvia’s character, said a word Silvia didn’t understand: she said that she was a very good girl, very bright, and said many other kind things among which was the word melancholy, melancholic.

Silvia didn’t say anything, but a little later, as her grandfather was pushing his bicycle towards the big gate next to the pine grove, between two high mossy walls, she asked him what melancholy meant.

Her grandfather stopped to catch his breath (he was a bit winded) and waited before answering. Then he looked up at the sky here and there.

‘Melancholy? Let’s see now …’ and then paused at length.

‘The passage of time causes melancholy,’ he said. ‘Why? Did you feel melancholic?’

Silvia hopped on to her seat on the crossbar. Now they were going downhill.

‘Sometimes,’ she replied.

‘Malinconia’

First published as part of a series in Corriere della Sera (23 July 1978). It was later included in Sillabario no. 2 (Mondadori, 1982), republished along with Sillabario no. 1 under the title Sillabari (Mondadori, 1984, then Adelphi, 2004).

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