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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

It was the first time Silvia was among other children in a camp and not alone, as usual, with her grandfather and the maid with whom she lived year round. Her grandfather had brought her there on the crossbar of his bike, which had a seat just for her. He was dressed, as always, in black: a black alpaca cape, floppy bow tie, big black hat and tall boots, also black, made of goatskin, with buttons up the side. He had entrusted her to the nuns, who seemed quite happy to receive her, treating her like a special guest.

The great discovery for Silvia during her stay at the camp were the smells: she could clearly detect, in the meadows, the smells of various herbs and plants, without knowing the names of one from the other: wild mint, sage, rosemary or else simple weeds, dandelion or fern or crab grass or other weeds that stank instead, which the boys stuck under her nose on purpose. The grove of fir and larch trees at the crest of the hill, where they went in the afternoons, contained other, entirely different smells: pine cones, pine nuts, pine needles and certain bell-shaped berries that Silvia called ‘The Dead’, much to the children’s delight.

Even the insects had a distinct smell: the grasshoppers Silvia expertly caught smelled of verbena, while certain bugs or stag beetles smelled of celluloid, or emanated this scent once trapped in little cages that one of the nuns had taught them to make from strands of grass. One of Silvia’s favourites was the smell of her bed and of the sheets that saturated the whole dormitory: it smelled like a thunderstorm, and mixed up with it at times was a faint smell of baby sweat and pee that she liked a great deal.

Silvia thought of her grandfather now and then, but in a fleeting way, and she didn’t think she missed him. She thought of him in the late afternoons right after dinner, after the rosary in the small chapel when, still seated outside on the grass, she looked and, most of all, listened to the swallows who cried and flew quite low over their heads and over the camp while the oldest of the children sounded the bell. At dusk the swallows stood out sharply against the sky which was pale purple and yellow on the horizon, while a faint smell of incense emerged from the chapel door, and this, together with the damp smell that rose from the fields of tall grass just at the base of the chapel, aroused in Silvia an emotion she’d never felt and didn’t know what to call. And it was clear that this emotion, aroused by those smells rendered chilly at dusk, closed up her throat and made her want to cry.

Silvia asked a nun if she could dress like all the others: in the grey canvas smock and red rubber sandals. But the nun, to Silvia’s astonishment, said No.

‘Did somebody say something to you about your clothes or your toys?’ the Mother Superior asked her. ‘Did they tease you, or scold you?’ Silvia said No. No one had said a thing, but without knowing how to explain it to the nun (she was only seven years old), Silvia felt estranged from the others, and in some sense she was ashamed of her dolls and toys as well as her clothes: in fact, she let the others take her toys, she didn’t care about them. Silvia felt estranged: but this didn’t mean that the other children treated her differently or excluded her from their games. No, on the contrary, she was always invited or coaxed or urged to do something, to play some role, even an important one, in their games and in building their little huts. Silvia didn’t feel estranged on account of her family – maybe precisely because, apart from her grandfather, she had no family – but on account of her birth. The other children were utterly amazed to hear this and, instead of considering her different, as she thought they would, they were filled with curiosity and questions that Silvia couldn’t answer.