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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Cilia loved me. Once she was out of bed, she found fresh joys in everything she did as she moved around our room, dressing herself, opening the windows, stealing a cautious glance at me. If I settled myself at the little table, she walked quietly so as not to disturb me; if I went out, her eyes followed me to the door; when I came home she sprang up quickly to greet me.

There were days when I did not want to go home at all. It irritated me to think I should inevitably find her there, waiting for me, even though she learned to pretend she took no special interest; I should sit beside her, tell her more or less the same things, or probably nothing at all. We should look at one another with distaste and a smile. It would be the same tomorrow and the next day, and always. Such thoughts entrapped me whenever the day was foggy and the sun looked grey. If, on the other hand, there was a lovely day when the air was clear and the sun blazed down on my head, or a perfume in the wind enfolded and enraptured me, I would linger in the streets, wishing that I still lived alone, free to stroll around till midnight and get a meal of some sort at the pub on the corner of the street. I had always been a lonely man, and it seemed to me to count for a great deal that I was not unfaithful to Cilia.

She, waiting for me at home, began to take in sewing, to earn a little. A neighbour gave her work, a certain Amalia, a woman of thirty or so, who once invited us to dinner. She lived alone in the room below ours, and gradually fell into the habit of bringing the work upstairs to Cilia so that they could pass the afternoon together. Her face was disfigured by a frightful scar – when she was a little girl she had pulled a boiling saucepan down on her head. Her two sorrowful, timid eyes, full of longing, flinched away when anyone looked at her, as if their humility could excuse the distortion of her features. She was a good girl. I remarked to Cilia that Amalia seemed to me like her elder sister. One day, for a joke, I said: ‘If I should run away and leave you, one fine day, would you go and live with her?’

‘She’s had such bad luck all her life. I wouldn’t mind if you wanted to make love to her!’ Cilia teased me. Amalia called me ‘Sir’ and was shy in my presence. Cilia thought this was madly funny. I found it rather flattering.

3.

It was a bad thing for me that I regarded my scanty intellectual attainments as a substitute for a regular trade. It lay at the root of so many of my wrong ideas and evil actions. But my education could have proved a good means of communion with Cilia, if only I had been more consistent. Cilia was very quick, anxious to learn everything I knew myself because, loving me so much, she could not bear to feel unworthy of me. She wanted to understand my every thought. And – who knows? – if I could have given her this simple pleasure I might have learned, in the quiet intimacy of our joint occupation, what a fine person she really was, how real and beautiful our life together, and perhaps Cilia would still be alive at my side, with her lovely smile that in two years I froze from her lips.