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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

They wouldn’t be seeing each other this way, recalling, over a bottle of grappa, a world they’d shared, had it not been for the daughter. But this conviction – the woman thought – was also a salvation. She objected to the evasions of the past; deep down, in fact, she was severe. But how it weighed on her! He would have wanted her to be unhappy, in fact, like some men want their mothers to be. Mater Dolorosa. No, not her.

At the start of their scheduled encounters she had always ended up drunk, because the effort of deciphering the enigma still flummoxed her: there it was in front of her, unfathomable, some meaning looming, dreadful, neither able nor willing to reveal itself. On either side a Yes and a No, leaning in, at loggerheads, among the falsely obliging fumes of alcohol; and this eventually left them exhausted, muddled by an ambiguous complicity.

But now, for quite some time, everything had changed. On either side of the table there was only the obligation of staying together for the sake of their daughter; but at times the age-old habit of seeking an impossible, mutual understanding took hold of them, like a bad habit. Then they were bogged down in a perilous swamp of memories.

Like all people who are profoundly alone, the woman was naive and violent. They hadn’t spoken to each other in a long time. So she fell back, again, into the bad habit of complicity, mistaking it for sharing. Their conversations seemed like ancient sophisms, harmful to the world and to themselves. Paltry ruins of ancient wisdom. She surrendered to the alcohol until she threw up, liberated. An acute discomfort followed.

When the ritual had been carried out, she went to bed, next to her daughter. But the discomfort intensified. Waves rose up as if from a swamp, not from memory but from nothing; deep waves, and rapid fog. She wanted someone beside her to quell them, to shoo them away; the way her mother did.

She got up, went to his bed, and hugged him tight, but kept to the edge of the mattress so she wouldn’t bother him, so she wouldn’t be pushed away; just like she would with her mother who, when she didn’t push her away, would indulgently call her ‘my little ivy-leaf’. That was how tightly she’d squeeze into her mother in bed.

He tried to chase her away, he’d misunderstood. But she insisted, deaf, until the discomfort gave way to sleep.

In the morning, father and daughter decided to go to back to the sea. The woman had a massive headache, as well as the morbid heat of her period, so she stayed in bed. But after a while she felt the urgent need to escape the distressing odour of her blood. She got up; the sun was coming in again through the embrasures, along with the din of the piazza. She read all day. She finished The Confessions of Zeno. She started One Hundred Years of Solitude.