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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

The night before, in the hotel lobby, she saw ice axes, ropes, crampons. They needed to leave before dawn. Around four o’clock in the morning, the lady thought she heard a car. After an hour, since she couldn’t get back to sleep, she got out of bed, thinking she’d go up the mountain on her own. But she found everyone in the lobby, with the ropes and crampons. No one said hello. The car that was supposed to take them up to the cable car hadn’t come, and now they were waiting for the milk truck.

The hotel manager surveyed the street and called them after half an hour. The milk truck was enormous, without side rails, and was already crammed with people sitting on milk canisters. The lady nodded yes when the guide called her, and this was how she let herself be hoisted on to the truck.

Keeping balance on the truck was extremely difficult: the road snaked uphill, and as the truck rounded each turn, it would veer to one side. The villagers, with their baskets, were anchored to the vehicle, but the gentlemen, including the guide, were an endangered bunch, and they clutched the shoulders of older women who seemed to be made of stone. The lady, seated on a basket between two canisters, was the most stable, and she was already starting to forget about herself and about her affliction. She was intent on drinking in, at every turn, apparitions of the tall white mountain, continually swallowed up by the dark pine forests. But she was aware that the gentleman was close to her, looking uncomfortable, because he was searching with one hand for something to hold on to. She was quick to grab the hand. She glanced at him and saw, through the wind, that he, a bit embarrassed, was thanking her.

As soon as she made contact with his hand, the lady experienced intense pleasure. The hand was smooth, dry and warm, and it clasped her own only as a means of support, that was all. The lady knew he could give her nothing more. But rather than feeling the usual humiliation, she felt a calm sense of possession.

That clasp, untethered from the ground, in the middle of the whirlwind of jolts, sharp turns and the ghostly backdrop of the unfurling mountains, was closer to the deceptive intimacy of their encounters in her dreams, as opposed to real contact. But even though, as in those dreams, it contained a precariousness and, above all, a sense of solitude, the warmth it gave off was real and comforting, almost familiar.

When it was time to step down from the truck, she sensed that the gentleman hurried to pull back his hand. She had already dismissed him, in any case. A car accompanied her back to the hotel, where she found a telegram from her husband. She had just enough time to pack her bags, and left on the afternoon coach.

‘La signora’

Written in 1948, first published in the collection La villeggiante (Einaudi, 1975).