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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

The lady’s husband was a leftist intellectual, as were Nicola Rossi and all the lady’s friends. The conversation the gentleman and his friend were having was unbelievably reactionary, especially on the part of the gentleman, while the friend seemed less convinced and, above all, less rabid. The chief technician also joined the conversation and, to the lady’s astonishment, loudly proclaimed his opinions, which were even more backward. Since she was obviously following their conversation, the lady was questioned. She tried to respond in kind, and felt strange pleasure at the thought that none of her friends was there to witness her degradation.

During a pause, the gentleman started to study the lady’s sandals, then praised them soberly. The lady felt acute pleasure, but was also embarrassed, as always, and she then observed, in turn, the gentleman’s shoes. The gentleman’s shoes were marvellous. They were made of white suede, with raised spirals in brown. The lady expressed her amazement and her admiration, and thus, for the first time, she saw the gentleman smile unabashedly. At that point, the friend said that if the gentleman didn’t have beautiful shoes, who would? Given that he made them.

The gentleman clarified that he worked in leather, cutting uppers, and gave the lady some advice about buying shoes.

Though she suffered, the lady didn’t feel anything close to spite or rancour towards the gentleman. And she didn’t despise herself either: in truth she was so consumed by passion that she didn’t have time to dwell on peripheral feelings. She knew nothing would happen, and yet she experienced the anguished sensation – though not entirely disheartening – of risk, as if she were walking on the edge of an abyss. She had the great clairvoyance to sense that, for the first time in her life, something terrible had been born inside of her, no less strong for that, but destined inevitably to defeat her. So great was her revelation that it would forever alter and undermine her certainty, her every illusion. The lady even felt a vague self-respect, or rather, respect for what she recognized was happening inside her. She knew it wasn’t a matter of a stubbornness, but something that went beyond vanity and pride. All her faculties were thus taut, in a state of useless expectation.

The friend’s presence was of no use to the lady. The son brought her flowers when he returned from his walks and, looking deep into her eyes, confided his disappointment in the immaturity of his classmates. The lady thought he was boring, but in those moments preferred him to Nicola Rossi and to anyone else.

Nicola Rossi, meanwhile, still felled by his stomach troubles, decided to go back to the city, and the lady told him to tell her husband that she was bored.

The gentleman and his friend had organized their trip to the glacier. The hotel manager, also a guide, was accompanying them. The boy pleaded with the lady to join them. The lady harboured no illusions of lending the least bit of substance to their adventure, but she couldn’t help but daydream about this trip to the glacier and imagine endless scenarios. But she didn’t make up her mind.