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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

The gentleman stood up and, rather than head for the door as he usually did, turned towards the lady and, without saying a word, offered her a cigarette. The lady was both delighted and disturbed, as if she were a shy teenager, and the way the gentleman brought the lit match up to her cigarette felt like a small gesture of intimacy.

It wasn’t a real conversation; just a few words about the hotel, the location. Mulling over it later, the lady noted that a cue hadn’t been lacking, in fact, the gentleman had provided one, and she regretted not having picked up on it. That evening in bed, for the twentieth time, the lady repeated the morning’s exchange, and with no trouble at all, she found infinite ways of starting up an interesting conversation. The gentleman had mentioned that the hotel manager had got married that very year, but it was only because his mother had died and he needed a woman in the hotel; otherwise he would have remained a bachelor, because he and the gentleman had similar thoughts about marriage. She could have asked him to elaborate on this topic, thus getting to know what he thought about women.

On the other hand, the lady knew that it wasn’t just the brevity of the gentleman’s conversation that had disappointed her. She knew he had a lovely voice, but that his pronunciation was marred, betraying the fact that he spoke dialect. Above all, she knew it was too late. The moment of realizing that she’d been deceived, a moment she’d been through on other occasions – during which she’d always made a quick decision – was somehow already behind her, without ever having been reached.

The lady began envisioning favourable scenarios, ranging from the adventurous to the catastrophic. For example, a fire at night in the little hotel: mayhem, people scrambling to escape. She remembered that similar fantasies had consoled her in childhood, when she wanted to be noticed by an older classmate who paid her no attention. Back then those imaginary disasters served as pretexts for rescues, heroic actions, feats of self-sacrifice. Whereas now they served as occasions for escaping in one’s pyjamas, or wearing even less. The lady ended up falling asleep to these fantasies, and her dreams almost always picked up the cue, granting it unexpected developments.

On her solitary walks – she avoided going to see Nicola Rossi, who was still stuck in his hotel with stomach troubles – the lady reflected at length on the fragmented escapades of her dreams. The dreams ended up creating some sort of complicity between herself and the gentleman. But they only managed to intrigue her further, without ever instilling confidence in her, not only because she was aware of their one-sided nature, but because they weren’t enough to convince her, even in an illusory way, of a change in the gentleman’s attitude, since he’d always behaved, even in her dreams, implacably like himself.

These dreams weren’t lacking a more playful side – though what it meant escaped the lady – that may have represented a sort of unconscious revenge.