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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Thank you for the nice gift you gave me. How much did it cost you?’

‘Three Kronen fifty,’ Odone replied cheerfully, ‘plus a twenty-heller tip. Not much, is it?’ He was happy and surprised that his mother had welcomed with pleasure, and as a gift for her, that forbidden animal, in truth more adapted to a farmyard than a dwelling, which soiled everything in its path.

‘Where is she?’ he said. ‘Let me see her.’

She opened a door. Behind it, the hen hung on a nail, already plucked, in the rigidity of death. The sight froze Odone’s heart.

‘I don’t know,’ his mother said, ‘how you managed to find such a nice fat one. It looks more like a capon than a hen. It really was a lucky find. Tomorrow, I’ll add a bit of beef and make you an excellent broth. For this evening, you’ll have to be content with an omelette. The poor beast was so full of eggs, it was almost a sin to kill it.’

Odone did not want to hear any more and ran to take shelter in his room. His heart was pounding and tears of grief stung his eyes, not only for the miserable end of the fowl – which had served a purpose so different from the one for which he had bought it – but at the thought that his mother – his own mother! – had not understood. Was it possible that a mother did not understand her son? That a son, to make himself understood by his mother, had to explain himself as if to a stranger? Was that how mothers (ten years later he would say ‘women’) were, or only his? He felt no great desire to talk; nevertheless, when the guilty party entered his room, with the oil lamp already lit in her hand, Odone tried to explain the misunderstanding: the immense pain she had caused him, however involuntarily.

Signora Rachele shrugged her shoulders, surprised and annoyed, and said that a boy who was going to be fifteen in two months’ time does not play with hens. Then she advised him to go out for a while, because dinner was not ready yet and a little walk would do him good.

‘Who killed her?’ Odone asked.

‘I did. Why do you ask me that?’

‘Because I didn’t think you had the courage to kill poultry.’

‘When I was a girl,’ Signora Rachele said, ‘I wouldn’t have killed a bird even for a hundred francs. But since I became a mother, it’s stopped having any effect on me. When you were recovering from typhoid, I really relished wringing a fowl’s neck, thinking of the fine nourishing broth it would make for my son.’

Odone fell silent, feeling that what he had to say on the matter was more for himself than for others. But from that evening on, he loved his mother less and less.

‘La gallina’

Written in 1912–13. First published in the journal La tribuna (15 November 1913), then included (with significant changes) in Ricordi-Racconti, the fifteenth volume of Saba’s complete works (Mondadori, 1956).