Back The Penguin Book of Italian Short Stories Save as PDF
Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Passing at about two in the afternoon of the following day through the Piazza del Ponterosso, where there was, and still is, a market for birds and live poultry, Odone, who had left home to return to work and loiter a little on the way, quite determined not to go back to his prison a moment too soon, stopped to observe the merchandise displayed in the cages. First, he was struck by certain exotic little birds with bright shiny colours, which reminded him of the stamps from the English colonies and the barbaric states which he often admired in his modest collection; then his desire came to rest on a blackbird, a totally mysterious-looking animal, from whose golden beak half a dozen little worms were struggling to escape, while the bird swallowed them no more than one at a time, at regular intervals, half closing with pleasure its round little eyes encircled with the same fine gold as the beak; he looked with scant sympathy at the parrots, and with revulsion at a monkey; finally, his attention was drawn to the chickens, packed closely together in their cramped wooden cages, from which their necks stuck out alternately, and where they complained bitterly or took it out on one another for the thirst and lack of space. It was not the glutton in him that was moved by this spectacle: Odone liked live hens very much, but they were a matter of more than indifference to him when served at table. When on a solitary walk in the country, one of those adolescent walks that have the length of a forced march and the solemnity of a conquest, he would spot crests and wattles in front of a farmhouse or amid the green of the meadows, he would cheer up at the sight, as if they were brushstrokes in which the feeling of the landscape was concentrated; and he would gladly stroke the hen who was sufficiently tame or rendered so awkward by fear as not to escape in time from his lovingly held-out hand. Where others hear only monotonous, unpleasant sounds, Odone listened to the voices of the henhouse as if they were constantly varied music, especially as evening fell and the drowsy hens would complain in a very gentle manner. He did not like roosters as much. The pride and magnanimity of these sultans of the farmyard, shown when faced with a caterpillar or some other exquisite morsel which is lusted after and then, not without a visible inner struggle, left to the females, can only be appreciated by a man already expert in life, capable of understanding the nobility of that renunciation and the masculine lordliness that lies behind every true sacrifice. If at that time anyone had asked him why he was so fond of those stupid birds, which others only associate with thoughts of gastronomy, the young man might not have known what to reply. To the many who did in fact ask him, he only replied twenty years later, in a poem; only, that, too, was little understood.