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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

It was, therefore, thinking of how pleased his mother would be that the young man replied to his employer with a touched and grateful ‘Thank you’ when the latter, one evening at the end of the month, threw a banknote down on his desk and informed him: ‘From today, you’re on the payroll. You’ll get ten crowns a month.’ These were his first wages: how would the dear, hitherto unrewarded creature react when he put the money in her hand and said: ‘Take this, Mother, it’s for you!’ with the implication: Though all this is nothing compared to what I’ll be able to give you one day. Those ten crowns dispelled the doubts that, in his several months of apprenticeship, he had begun to have about his commercial vocation; they also dispelled that touch of remorse that he could not help but feel when, being out on an errand, he met a former classmate on the street and tried – alas, in vain! – to convince him of the immense good that had befallen him in leaving school for work, and the other either replied rudely or kept silent, as if to say: We’ll see about that in a few years, you poor drudge! His day over, he ran home, walked upstairs with the beating heart of a man in love taking a first gift to his beloved and, stammering and kissing his mother, gave her the great news. Signora Rachele seemed touched (less so, though, than Odone had hoped) and even forgave him for having made her angry at lunchtime by refusing to eat his soup, the memory of which had made the thought of the satisfaction he would give her when he came home all the dearer to him. She suggested that Odone put aside half the amount for himself, for whatever he pleased, although not without advising him to spend it as well as he had earned it and warning him of certain dangers about which young men are more typically taught by their fathers than their mothers; but to her, who never uttered certain words or never indicated them with a periphrasis without first spitting on the ground (such was the disgust she felt towards them), fell the burden of having to speak of such things to her son; and she did her best, even in such a sad task; so that she might, when it so pleased the Lord, sleep in peace and without any regrets on her conscience.

Her advice was unnecessary: Odone did not yet turn to look at women, and never passed down certain alleyways crowded in the evenings with sailors and raucous-voiced women without hurrying on; and besides, he had already decided how to spend his five crowns: he would use them to buy his mother a gift: only, he was torn between a round tobacco tin with silver decorations and a black fan with sequins. But as long as man proposes and God disposes, nobody has the right to believe himself safe from temptation, however strong he feels in broad terms. For Odone, the temptation did not come in the form of a human female, but came instead in that of a beautiful hen; and I will now recount how and why he was unable to resist this temptation, and how cruelly he was subsequently punished.