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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

My son Ottavio, thirteen years old then, came running to his mother just then. He hadn’t noticed anything, either his sister’s distress or the dispute that had caused it. He wanted permission to go to the movies the following evening with a few friends of his who had suggested it to him just then. But my wife, completely given over to her position as Emma’s consoler, wasn’t listening to him.

‘Yes,’ I shouted, trying to assert myself with an act of authority, ‘of course you can go to the movies.’

Ottavio, not hearing anything else, went back to his friends after having told me:

‘Thank you, Papà.’

A pity, that haste of his. If he had stayed with us, his happiness, the product of my act of authority, would have raised my spirits.

The good mood at the table was wrecked for a minute or two, and I sensed that I had wronged the bride, for whom that good mood was meant to be a good omen and a sign of things to come. And yet it was she alone, or so it seemed to me, who understood my distress. She was looking at me downright maternally, willing to excuse me and flatter me. That girl had always had that look of certainty in her judgements.

As when she was aspiring to a cloistered life, she thought now she was better than everyone else for having renounced it. Now she was prevailing upon me, upon my wife and upon my daughter. She felt sorry for us, and her lovely grey eyes fell on us, serenely, to look for the flaw that, in her view, had to be present wherever there was distress.

That heightened my resentment of my wife, whose behaviour was humiliating us. It made us inferior to everybody else at the table, even the most wretched figures. Down at the far end, even my sister-in-law’s children had stopped chatting and had brought their little heads together to talk about what had just happened. I clutched my glass, unsure whether to drain it or to hurl it at the wall or even at the facing windowpanes. I ended up draining it in one go. That, a declaration of independence, was my most energetic act: it seemed to me the best wine I had had that evening. I lengthened the act by pouring myself more wine, which I also sipped a bit of, into the glass. But joy wasn’t forthcoming, and all the overly intense energy that was enlivening my body was rancour. An odd idea came to me. Not everything was clarified by my rebellion. Could I not also ask the bride to rebel with me? Fortunately, she smiled gently just then at the trusting man by her side. And I thought: ‘She doesn’t know yet, and she is convinced she does.’

I remember, too, that Giovanni said:

‘But let him drink. Wine is old men’s milk.’

I gave him a look, wrinkling my face up to feign a smile, but I couldn’t find it in me to wish him well. I knew that he was concerned only about the good-mood atmosphere and that he wanted to content me, the way one does an excited child who is disturbing a gathering of adults.