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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘She told me about her life below the sea, about bearded Tritons and glaucous caverns, but she said that these too were vain appearances and that the truth lay much deeper indeed, in the blind, mute palace of formless, eternal waters, without sparkle, without murmurs.

‘Once she told me she would be away for some time, until the evening of the following day. “I must travel far, to where I know I will find a gift for you.”

‘In fact she returned with a stupendous branch of deep red coral encrusted with shells and algae. For a long while I kept it in a drawer and every night I would kiss the spots where I recalled the Indifferent, that is the Beneficent, one had placed her fingers. Then one day my housekeeper, Maria – Bettina’s predecessor – stole it to give to one of her pimps. I later found it in a Ponte Vecchio jeweller’s shop, deconsecrated, cleaned up and smoothed to the point of being virtually unrecognizable. I bought it back and that same night threw it into the Arno: It had passed through too many profane hands.

‘She also spoke to me of the many human lovers she’d had during her thousand-year adolescence: fishermen and sailors – Greeks, Sicilians, Arabs, Capresi – including survivors of shipwrecks clinging to sodden debris, to whom she’d appeared in a flash of lightning during a storm to transform their last gasp into pleasure. “They all accepted my invitation and came to see me, some immediately, others after having lived what to them seemed a long time. Only one failed to show. He was a big beautiful young man with red hair and exceptionally white skin; I joined myself to him on a beach far away, where our sea flows into the great Ocean. He smelled of something stronger than the wine you gave me the other day. I believe that he failed to show not, surely, because he was happy, but because when we met he was so drunk as not to understand anything anymore. I must have seemed like one of his usual fisherwomen.”

‘Those weeks of high summer flew by as rapidly as a single morning; when they’d passed I realized that in fact I had lived centuries. That lascivious girl, that cruel little beast, had also been the wisest of Mothers; with her mere presence she’d uprooted faiths, dispelled metaphysics; with her fragile, often bloodstained fingers she’d shown me the path toward true eternal peace, and also toward an asceticism based not on sacrifice but on the impossibility of accepting other, inferior pleasures. I will certainly not be the second man to fail to heed her call, will not refuse this sort of pagan Grace that has been granted me.

‘In accordance with its own violence, that summer was short. Not long after August 20 the first clouds timidly gathered; a few isolated blood-warm drops of rain fell. The nights brought to the distant horizon slow mute flashes of lightning, deduced one from the other like the cogitations of a god. Mornings the dove-gray sea suffered for its hidden restlessness; evenings it rippled without any perceptible breeze, in gradations from smoke grey to steel grey to pearl grey, all extremely soft colours and more affectionate than the splendour before. Faraway shreds of fog skimmed the water; on the coasts of Greece, perhaps, it was already raining. The colour of Lighea’s mood also changed, from radiance to grey affection. She was silent more often; spent hours stretched out on a rock, staring at the no longer motionless horizon; spent less time away. “I want to stay here longer with you; if I were to take to the open sea now my marine companions would keep me there. Do you hear them? They’re calling me.” At times I truly did seem to hear a different, lower note among the seagull calls, to make out flashes of movement from rock to rock. “They’re blowing their conches, calling Lighea to the festival of the storm.”