Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
‘I spoke of our having spent twenty days together. However, I wouldn’t want you to imagine that during those three weeks she and I lived, as they say, “conjugally,” sharing our bed, meals and occupations. Lighea’s absences were quite frequent. Without any advance notice she would dive into the sea and disappear, sometimes for many hours. When she returned, almost always first thing in the morning, either she found me in the boat or, if I was still in the cabin, wriggled up the pebbled shore till she was half out of the water, on her back and pushing with her arms, calling to be helped up the slope. “Sasà,” she would call, because I’d told her this was the diminutive form of my name. In this manoeuvre made awkward by the same part of her body that granted her agility in the sea, she gave the pitiable impression of a wounded animal, an impression immediately obliterated by the smile in her eyes.
‘She ate nothing that was not alive. I often saw her rise out of the sea, delicate torso sparkling in the sun, teeth tearing into a still-quivering silver fish, blood running down her chin; after a few bites the mangled hake or bream would be tossed over her shoulder and sink into the water, staining it red, while she shouted in childish delight and ran her tongue over her teeth. Once I gave her some wine. Drinking from a glass was impossible for her, so I was obliged to pour some into her small and slightly greenish hand; she lapped up the liquid as dogs do, her eyes registering surprise at the unfamiliar flavour. She said it was good but afterward always refused it. From time to time she came to shore with hands full of oysters or mussels, and while I struggled to open the shells with a knife, she crushed them with a stone and sucked down the throbbing mollusk along with bits of shell that did not trouble her in the least.
‘I told you before, Corbera: She was a beast and at the same time an Immortal, and it’s a shame that we cannot continuously express this synthesis in speaking, the way she does, with absolute simplicity, in her own body. Not only did she display in the carnal act a cheerfulness and a delicacy altogether contrary to wretched animal lust, but her speech was of a powerful immediacy, the likes of which I have only ever found in a few great poets. Not for nothing was she the daughter of Calliope: Oblivious to all cultures, ignorant of all wisdom, disdainful of any moral constraint whatsoever, she was nevertheless part of the source of all culture, of all knowledge, of all ethics, and she knew how to express this primitive superiority of hers in terms of rugged beauty. “I am everything because I am only the stream of life, free of accident. I am immortal because all deaths converge in me, from that of the hake just now to that of Zeus; gathered in me they once again become life, not individual and particular but belonging to nature and thus free.” Then she said, “You are young and handsome. You should follow me into the sea now and escape sorrows and old age. You would come to my home beneath enormous mountains of motionless dark water, where all is silent calm so innate that those who possess it no longer even perceive it. I have loved you, and so remember: When you are tired, when you can truly bear it no longer, all you have to do is lean out over the sea and call me. I will always be there, because I am everywhere, and your dream of sleep will be fulfilled.”