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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

A wild colt entered the arena, along with a few herdsmen dressed in the style of cowboys from overseas. I was immediately annoyed by their clothing. The colt started to wander confusedly through the field. A herdsman rushed up behind it. His task was to mount the horse from behind on the run and to remain mounted despite the animal’s fits of rage. But the colt, having noticed the man, stopped and allowed him to approach. Then the herdsman, perhaps unsettled by the presence of so many people, made a leap and wound up nearly astride the colt’s neck. It was the way to mount a wooden horse, and yet horse and rider fell to the earth. The other herdsmen ran to help. The colt didn’t want to stand up; it held the man prisoner, pressing its belly on his legs. The audience began to shout. The colt eventually decided to get on its feet again and, very calmly, allowed itself to be led out of the field.

‘He won’t be tamed,’ shouted a spectator. ‘He’s a lamb.’

The crowd erupted into noisy laughter. I too laughed with relish.

A bull entered the green clearing. A herdsman confronted it at once, trying to grasp it by the horns and bring it down. The audience was hushed. The bull seemed more alert than the colt. In fact, the roles were quickly reversed – it seemed as if the bull had been assigned the task of knocking down the man. The animal began to behave with a kind of strange craftiness: it enacted a long series of feints like a football player who wants to pass an opponent. It finally charged the man, driving him to take to his heels. Yet it was a charge full of caution, without hostility, as if the bull had wanted to mock the enemy’s gruff attitude, and the spectators immediately realized that the herdsman had not suffered any harm. Once again the other herdsmen ran to help their mate. Then the bull began running merrily after those poor devils. It headed for the hedges and, after completing two laps around the field, dashed in the direction of the river. The herdsmen, now in despair, also vanished beyond the hedge amid the uproar of the audience.

The crowd was yelling and cursing. In the end, aware that there would be no other attractions, they began to disperse.

‘Swindlers,’ they shouted.

‘It’s a scandal.’

‘What robbery!’

‘Down with the Maremmani!’

‘We want our money back.’

I shouted along with the others. Someone landed several blows on the booth where the tickets for the stands had been sold. I threw a stone at the wooden tables: I wanted to see everything destroyed. At the exit my mates surrounded me.

‘We were looking for you,’ said one.

‘You were hiding, weren’t you?’

‘Your paisans were just great. All of you should reimburse the spectators for the price of the ticket.’

‘He too is a Maremmano,’ said the goalie, pointing me out to people nearby.