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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Signor Massigher,’ replied the butler.

Martora was delighted: ‘Oh, your charming friend! We had such a wonderful discussion the other day … there’s a young man who knows what he wants.’

‘He may be as intelligent as you like, my dear Martora,’ said Signora Gron, ‘but I find that quite the least affecting of all qualities. These people who do nothing but argue … I don’t say Massigher isn’t a fine boy … You, Giorgina,’ she added quietly, ‘when you’ve said hello, be a good girl and go to bed. It’s getting late, you know.’

‘If you liked Massigher better,’ retorted her daughter boldly, though trying to speak jokingly, ‘if you liked him better I bet it wouldn’t be late just yet.’

‘That’s enough nonsense, Giorgina … Oh, good evening, Massigher. We hardly expected to see you tonight … you’re usually earlier than this …’

The young man, his hair ruffled, stopped short on the threshold and looked at the family in horror. ‘But – don’t you know?’ He moved forward, slightly embarrassed.

‘Good evening, Signora Maria,’ he went on, ignoring the reproach. ‘Good evening, Signor Gron, Giorgina, Fedri, excuse me, doctor, I didn’t notice you there in the shadow …’

He was plainly very nervous, pacing around from one person to the next as if bursting with some important news.

‘Have you heard?’ he began at last, since the others gave him no encouragement. ‘Have you heard that the riverbank –’

‘Quite,’ interrupted Signora Gron with masterly calm. ‘Terrible weather, isn’t it?’ And she smiled, half-closing her eyes, trying to transmit some kind of understanding to her guest. (Almost impossible, she thought to herself while doing so: a sense of occasion really isn’t his strong point.) But the father had already risen from his chair. ‘Tell me, what have you heard? Something new?’

‘What do you mean, new?’ interrupted his wife quickly. ‘I really don’t understand, my dear, you’re so nervous this evening …’

Massigher was puzzled. ‘Quite,’ he admitted, casting around for a way out, ‘nothing new that I know of. Except that from the bridge you can see –’

‘Well, naturally, the river in flood!’ interrupted Signora Gron, helping him out. ‘Most impressive, I should think. You remember the Niagara, Stefano? So many years ago …’ At this point Massigher moved closer to the Signora and whispered, choosing a moment when Giorgina and Fedri were speaking to one another: ‘But Signora, Signora,’ his eyes sparkled, ‘the river is right below the house, it’s most unwise to stay, can’t you hear the –’

‘Do you remember, Stefano?’ she went on, as though she hadn’t heard him, ‘do you remember how frightened the two Dutchmen were? They wouldn’t go anywhere near it, they said it was an absurd risk, that one might get carried away …’

‘Well,’ retorted her husband, ‘it has sometimes happened, apparently, people leaning too far over, getting dizzy perhaps …’

He seemed to have recovered his calm, put on his glasses and sat down by the hearth again, stretching out his hands towards the fire to warm them.