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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘And are you certain it was one of our dogs?’

‘Rather too certain. Don’t you remember how Fedri and I once painted their ears green?’

‘And this one had green ears too?’ pursued her father, who was sometimes rather slow-thinking.

‘Yes, green ears,’ replied Giorgina. ‘Of course the colour’s faded a bit by now.’

Once more her mother interrupted. ‘But listen,’ she said with exaggerated politeness, ‘do you really find these stone dogs so interesting? Excuse me for saying so, Stefano, but I really can’t see that there’s any need to make such a fuss about it …’

From outside – just behind the curtain, it almost seemed – there sounded a prolonged and muffled roar, mingling with the sound of the rain.

‘Did you hear that?’ exclaimed Signor Gron promptly. ‘Did you hear it?’

‘Thunder, what else? Just thunder. It’s no good, Stefano, you’re always so jumpy on rainy days,’ his wife hastened to explain.

They were all quiet, but the silence could not last long. Some unfamiliar thought, foreign to that aristocratic household, seemed to have crept into the dimly lit room and settled there.

‘Found it down by the river,’ commented the father, returning to the subject of the dogs. ‘How could it have got there? It couldn’t have flown.’

‘And why not?’ enquired Martora jovially.

‘Why not what, doctor?’ asked Signora Maria, nervously, since she did not usually like the pleasantries their old friend tended to make.

‘I meant: why should the statue not have flown? The river flows about twenty yards below it, that’s all.’

‘What a world we live in,’ sighed Maria Gron, trying once again to change the subject, as though the dogs were a cover for something more unpalatable. ‘First we have flying statues, and then do you know what the paper says here: ‘a new breed of talking fish discovered off the island of Java’.’

‘It also says: ‘Save time’,’ Fedri added rather foolishly – he too was looking at a paper.

‘What, what did you say?’ asked his father, who had not understood, but was generally apprehensive.

‘Yes, it says here: ‘Save time! Time too should figure on the budget sheet of every good businessman, on the credit or debit side, as the case may be.’’

‘I think you might have saved your own in this case,’ murmured Martora, though plainly amused.

At this point, somewhere beyond the curtain, a bell rang: so someone had braved this treacherous night, had broken the barrier of rain that was pouring down, hammering on the roofs, devouring great chunks out of the riverbanks; for fine trees were falling noisily from these banks with their great pedestals of earth attached, to emerge for a moment a hundred yards downstream and be sucked down again by whirlpools: by that river which was swallowing up the edges of the old park, with its eighteenth-century wrought-iron railings and seats and its two stone dogs.

‘Now who will that be?’ said Signor Gron, taking off his gold-rimmed spectacles. ‘Callers even at this time of night? I dare say it’s about the subscription, that man from the parish council has been a perfect nuisance these last few days. Flood victims! Where are they all, anyway? They keep asking for money but I haven’t seen one victim, not a single one. As though … Who’s there? Who is it?’ he enquired in a low voice as the butler appeared from behind the curtain.