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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

However, when she learned that a lady found herself in the area, a lady of whom many years before it had been said that she was an old flame of the general’s, she did not fail to invite her to visit. It must have been a strange encounter: highly refined, serious and at the same time faintly ridiculous, with the kind of absurdity that makes everything human. That day they, too, spoke at length. They spoke until, beyond the windows, the garden took on a certain violet tinge. Then, somewhat surprised, her visitor rose. At that point she was able to make out, beyond the ploughed field and the vineyards, fleeting trails of smoke.

‘Ah, his old ducks,’ she said suddenly, looking out on that rural squalor. She said it with a smile, as someone looking at an old childhood portrait discovers in that image the little defects of a person to whom one wishes well.

‘What’s that? You mean to say even ‘then’ he went hunting?’ asked Signora Nodier, she too coming to the windows. And looked at her with a smile, for her visitor too was a little failing of the general’s.

‘Yes, but a dreadful hunter, then,’ her visitor said, laughing. ‘Not everyone wanted him around. They even found excuses to avoid him. Once they went so far as to invite him on the wrong day … Luckily, he never found out.’

‘He never confessed as much to me,’ Signora Nodier brought out, after briefly consulting her memories. ‘But I think I always suspected that was the case.’ And she added, as if to herself, ‘He took it too seriously to be good at it.’

‘Almost solemnly,’ her visitor added.

‘True, true,’ agreed Signora Nodier, almost grateful for a conclusion that made the general come alive. ‘Absolutely true, solemn.’

And the pair of them began to talk of his defects: in such a way that they didn’t seem to be speaking of one who was dead or alive, but of a myth, of the presence of one who combined a little of each, of life and death. Neither did either of them realize that the death, as well as other even sadder events, had taken place barely half a year earlier.

Signora Nodier considered that day one of the most important, and most ‘hers’.

She was to know another such, and more important still.

One evening two years later, as the oldest of the maids was ironing, there was a ring at the gate. Against the garden lamp one could see snowflakes falling, and in between, rain. It was deep winter. After looking out the window, she said, turning to the young maid, ‘You go, Agata,’ and the other returned to the other ironing.

She had to get up a few moments later, however, for though panting from her run across the garden, and though her feet were wet and a few flakes of snow clung to her hair, Agata reappeared smiling and excited, chattering about someone who stood outside the door. Then a soldier came in. Then a dog. The old woman immediately recognized the dog as the general’s Scottie.