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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

She managed that for a few consecutive months. That is, until March. Then, occasionally, she was again seen out and about. She made the odd unnecessary purchase; sometimes she spoke briefly with someone. It was during this period that she began to keep a diary. ‘Ah, I’m no longer the same woman. I’ve become so good,’ she wrote a few days later, ‘that I now manage to look with a good heart on the happiness of others close to me. I am no longer offended. Is this possible? I don’t even feel envy …’ And then, four pages later: ‘I am seriously worried. I really don’t know what to do: I could give away half of myself …’ And more of the same.

She was indeed disposed to yield half of her all: but certainly not to accept the other half that people necessarily wanted to give her in return. She soon had to realize that her gift could never be accepted unless she, in turn, accepted her reward. This was asking too much from her. To tell the truth, it was beyond her strength.

Furthermore, her peasants no longer showed the respect they had in the old days; they looked at her with a certain expression, as though she had some obscure guilt. For instance, the way in which she smiled at certain things, and at problems by which they swore; the way she was serene and distant, and offered them, fundamentally, little more than maternal irony, perhaps that of her own presence. ‘The general, well, he understood,’ she almost felt them thinking. ‘He realized that he had no time left … He went away just in time … He understood … But as for her, what’s she waiting for?’

Thus it came about that she reduced herself to spending all her time in the house; and, because the grounds included an old chapel which she undertook to restore, she no longer went out even to go to church. This little island was, in fact, her definitive salvation and, little by little, the general’s death was slowly transmuted into a bearable unhappiness – into, I can only guess, a sort of eternal evening. She might not have withstood a further shock; certainly she wouldn’t have survived the extinction of her unhappiness. It was an unhappiness that she had constructed day by day, as others build, day by day, their own illusions. In its own way, that unhappiness was an illusion too: as to the past and as to the future. Yet it was absolutely necessary to her; it was, in fact, her self. The villa now constantly spoke of the general and what he had, in his day, meant to her: the old ways, serenity, good manners and more. But she took marvellous care to avoid anything or anyone who could bring back to life, or make vivid, those memories. Had this happened, grief would again have supplanted this gentle unhappiness of hers, and that she did not want. For instance, she refused to go to a memorial service for the general; nor would she read a speech that recalled his death. One day, certainly, those two events would have become memories, and she would have discovered them bit by bit. Now, however, they were part of life; they spoke of a day barely past; and life was too much for her.