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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

December 21 – Last night, in a café in Via Veneto, a table of young pederasts were talking about the Martian: so audibly that one could not avoid hearing what they said. Thus it seems that the Martian has befriended a young and unknown film actor. But it also seems that the Martian lives in the preoccupation of appearing politically orthodox to the (invisible) eyes of his fellow planetsmen, who certainly monitor him with the means they possess which we cannot even imagine. Maybe some remote-controlled microphones? All hypotheses are possible. Hence, the Martian, locked in his hotel room with the young actor, after having amused himself at length, would have got up and, with the attitude of someone who intends to address a visible listener, would have said aloud, articulating his words clearly: ‘But why don’t you come live on Mars, Home of True Democracy?’

December 22 – The Martian agreed to play a small role as a Martian in a film, which would be directed by Roberto Rossellini, who is pushing for the participation of a Martian company in the financing of the film. Mario Soldati, whom I saw today at Rossetti’s, spoke to me about the new book he wants to write before beginning his new film. It’s a story that takes place in Turin, in 1932. He was very happy, Soldati, telling me the plot. He left because he was rushing to get shaved. He had purchased some paper goods. I saw him disappear like a butterfly.

January 6 – The Christmas holidays went by, as usual, melancholically. And it’s hot! I was out a little late last night in Via Veneto, because I was not sleepy. At a table at Rosati’s, there were Pannunzio, Libonati, Saragat, Barzini and other political journalists. They were speaking about proportional representation. At another table, the Martian with Mino Guerrini, Talarico and Accolti-Gil. It was obvious that they were mocking him in good humour. A bus boy was already dumping sawdust on the floor, and when I walked by I heard Accolti-Gil saying this to the Martian: ‘If you come to Capri for Easter, I will introduce you to Malaparte. Great brain, more than Levi. Insightful connoisseur, central and northern question.’ The Martian was nodding, courteous and distracted. Because a waiter, quite rudely, made it clear that it was closing time, everyone stood up. Even the Martian exited, and said goodbye to us from the doorway, then headed towards the Hotel Excelsior. Sitting at the last table, next to the gas pump at the corner of Via Lombardia, there was Faruk. He was whistling, watching the sky filled with pink clouds, he too absorbed in a melancholic thought of his own. Leaning his elbows on the wicker chair, he held his hands together in front of his mouth; he fidgeted slowly with his fingers and whistled. But softly, like a king in exile might whistle, or a Muslim who imagines the notion of pleasure. Two tables away, some taxi drivers were discussing football; and further down the old cigarette guy was bouncing around, waiting for someone to call on him. This is, for me, such a familiar picture that it never fails to move me, and in fact I smiled, thinking of this sweet Rome that mixes the most distinct destinies in a maternal, implacable whirl.