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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

October 15 – We walk around Rome like crazed ants, seeking some friends to communicate our inebriating happiness to. Everything appears to us in a new dimension. What is our future? Will we be able to prolong our lives, combat diseases, avoid wars, give food to all? We speak of nothing else. Even more so than in the preceding days we feel that something new is to come. It’s not the end of the world, but the beginning of the world. There’s the wait before the curtain is raised, made harsher by a play we do not know. This wait is only disturbed by predictable prophecies, told by those who had always said so and now are ready for the new challenge; by the Communists, who have already tried to secure the Martian for themselves, by the Fascists, who raise the question of his race.

October 18 – I finally managed to see the spaceship. It is impressive. The police guards are kind, they speak softly, almost as if to have their presence forgiven. After all, no one commits the slightest disrespectful act. A child who tried to write something in chalk on the shiny surface of the spaceship has been spanked by his parents. I too, like everyone, touched the spaceship, and in that metallic warmth I felt a profound sweetness I had never experienced before. A stranger and I were smiling, looking at each other, and in the end we shook hands, moved by the same fraternal impulse; and later on I did not feel embarrassed by my state of commotion. It seems that the spaceship has already performed two miracles, but there is no proof, even though some women have insisted on leaving memorial marble tablets on the ground, with their thanks. A municipal employee has already been contracted to sell candles, but it seems that the proceeds will benefit a Catholic charity.

Leaving the enclosure I see Mario Soldati. He’s there, sitting on the grass, his tie undone, wearing a shirt and vest. He was sighing, actually devastated by the reality that was a few steps away. ‘It’s over!’ he said when he saw me. He held my hands and I felt that his emotion was sincere. ‘C’est la fin!’ he added then in French, and he repeated the phrase many times, until both of us lost track of its meaning: we looked at each other bewildered, not knowing what else to say. We then went to have a drink instead, in one of the many improvised kiosks which popped up illegally in the riding track. Soldati wanted a soda, the kind that used to be sold at fairs, with a ball floating inside, and he insisted in vain. They don’t make them any more. The curious incident caused by a young thief who had managed to make his way into the spaceship distracted us from our extremely favourable considerations on the Martian. Recognized by a guard as one of those guys who steal from foreigners’ cars, he tried to escape feigning an epileptic seizure. He has an opaque face, suspicious and hardened by his work. Fear made him a savage.