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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

You already can’t get through Piazza Fiume: the packed crowd, swaying, waits, sings, shouts, improvises dances. I saw the first drunks. The roofs of the buses (stuck in the streets like ships surprised by winter in a glacial sea) were swarming with young people and screaming children who were waving large dirty flags. The stores have lowered their rolling shutters. At times the blowing wind brings a distant burst of applause that reignites curiosity and causes disorientation, a greater and more cheerful confusion.

Around seven I met my friend Fellini, pale and devastated by emotion. He was at the Pincio when the spaceship landed and at first he thought he was having a hallucination. When he saw people running and yelling and heard sharp orders being shouted from the spaceship in a somewhat cold, scholastic Italian, Fellini understood. Immediately stampeded and stepped on by the crowd, he woke up without shoes on, his jacket in shreds. He wandered around the park like a dolt, barefoot, trying to find any exit whatsoever. I was the first friendly face he met. He cried while embracing me, shaken by an emotion that was communicated to me soon enough. He then described the spaceship to me: a saucer of enormous dimensions, yellow and bright like a sun. And the unforgettable rustling, the rustling of a silk foulard, upon its landing! And the silence which followed that moment! In that brief instant he felt that a new period was beginning for humanity. The prospects are, he tells me, immense and inscrutable. Maybe everything: religion and laws, art and our very lives, will soon appear to us illogical and meagre. If the solitary traveller who descended from the spaceship is really – and by now after the official communiqué it would be foolish to doubt it – the ambassador from another planet where everything is known about ours, this is a sign that ‘things are more simple’ elsewhere. The fact that the Martian came alone proves that he possesses means of self-defence which are unknown to us; and such knowledge that could radically alter our system of living and our conception of the world.

At the Policlinico, where I take him to treat the wounds on his feet, I meet Giovannino Russo and Carletto Mazzarella among the injured. The first one had lost his glasses and does not recognize me, the second one lost his shoes and I don’t recognize him. They are still devastated by their emotions. Before the crowd let loose in its enthusiasm, they had enough time to see the Martian! Hence, it is true! Their irony (they suspected a publicity stunt) suddenly desisted when they saw the blond pilot of the ship disembark. Russo describes him as a tall man, of noble appearance, a bit melancholic. He dresses like anyone, like a Swede might dress – Mazzarella added. He spoke in perfect Italian. Two women fainted when he passed, smiling, through the police cordon to reach the police commissioner’s car. No one dared get too close to him. Only a child ran towards him. The scene that followed caused shouting and tears among those present. The Martian spoke to the child, softly, caressing him. Nothing else. He smiled and was tired.