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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

From the terrace, on summer evenings, she could see smoke from the houses on the far horizon, which she imagined populated, each one, with the wife keeping house, the husband in the cattle shed, and the children. Girls were returning, in droves, from the factory, the looms, or winding rooms, or dying-vats at the silk mill: bicycles had brought apprentices back from the anvil: or they had returned behind their father with swaying oxen from the field, and he guiding and controlling his low cart by the shaft: a cart with short, sloping, open sides, with small wheels on slick, silent axles, piled up with implements and with labour, with logs and with hay: on which tired scythes lay, as though forgotten, in the evening shadow.

Rustic offspring back numberless from work to the hearth, to a spoon: to the poor chipped bowls that compensated their day.

Far-off gleams of light, and song, reached her from outside the house. As if a housewife had taken her copper pot outside to dry in the yard, to reflect, glinting, the sunset. Perhaps to greet her, the Señora!, who herself had once, like them, been a woman, a wife and a mother. She envied no one. She wished all of them, all of them, the joy and calm strength of sons, that they would have work, health, peace: good marches in morning where the captain commands them: that they would soon find their bride, once back from the regiment, in the fragrant throng of girls.

And so, each day, she found some reason or excuse to call for the washerwoman, the baker’s daughter, the woman who sold lemons or sometimes a rare Tierra Caliente orange, the retainer’s eighty-six-year-old mother, or the fishmonger’s wife. (She had reason to think the last of these didn’t have a complete set of clothes on her person.) They were poor, dark pikes, whose gloomy noses were pointed with the wants of poor people; pikes that had swum and swum through green dearth towards the silvery flash of Durendal; or tench, large, yellow lake fish with a greasy and vapid slime, which, even with carrots and celery, still had a muddy taste; harpooned up by line from the Seegrün after the hour of sunset, or from that other valley, most sweet in autumn, of the abbé-poet, or that other valley still further away, of the painter disciple, when it mirrors, beneath liquefied clouds, the upturned indentation of the mountain.

With carrots and celery, on a slow flame, in the long pike kettle; she stirred that sludge with a wooden spoon: out of which came something full of bones, of celery, but fairly appetizing. Once cooked, all that remained was to taste it; she was happy, offered it all to the women. The women praised her for her wonderful cooking, repaid her for her kindness.

She envied no one. Perhaps, after so much courage and concern, after having striven and suffered, and having produced her offspring without tears, so that they, the strategists of the republic,fn6 might have her finest blood at their disposal!, to do whatever they commanded; perhaps after the fiery haste of every day, and of the years, tired ellipses, perhaps the time was right: gentle assuager of every sacrifice: oh! it would take her to the place where people forget and are forgotten, beyond the houses and the walls, along the path attended by cypresses.