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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

This name rested lightly on her mind: and was a cherished presence, a suggestion almost of morning and of a dream, a wing that flew high above, a light. Yes: there was her son, in the time, in the certainty and in the experience of the living: and even after the transformation, after the precipitation of the years. He walked among the living. He walked along the paths of men. Her first son. The one in whose young body she had yearned to see, oh! days!, the proof of nature’s deficiency, a failed experiment of the womb after the accepted fraud of the seed, reluctant to have suffered, to have generated something not its own: in a long and untreatable eclipse of her whole being, in the weariness of the mind, of the womb opened then to the slow disgrace of birth, in the derision of shrewd traffickers and merchants, under the constriction of the duties they impose, so nobly promoting the common good, to the suffering and misery of honest people. And now there was the son: just the one son. He wandered the parched roads along the fleeing elms, after the dust towards the evenings and the trains. Her first son. Oh! Only the raincloud – whistling skies lashing over the bent trees of the countryside – only terror could have separated her in such a way from the truth, from the sound security of memory. Her son: Gonzalo. Gonzalo, no, no!, he had not been awarded the funerary honours of darkness; his mother recoiled at the memory: away, away!, from the empty funeral, the dirges, the vile tears, the wailing: no candles had burnt down from on high, for him, between the pillars of the cold nave and arches darkened by the centuries. When the song of the abyss, among the candles, calls for those sacrificed to go down, down, into the verminous pomp of eternity.

The sound of a horn, from the highway: and emptiness. All went silent, at last. The cats, at the usual time, of course, had come here into the house, from where only they could enter: velvet presences were staring at her from halfway down the staircase, with eyes like topaz in the dark, but cleaved with a cut, their pupils lined with hunger: and, meowing, they gave her a timid greeting, a cry: ‘It’s time’. Domestic order and charity urged her up. And she, forgetting her own suffering, concerned herself immediately, as always, with that of others: she went back upstairs. The clomping stride of the peasant sounded on the brick floor above: back from buying tobacco, and perhaps, she hoped, some salt: he called out to her in the darkness, told her about the provisions and the fire, told her what time it was, how the crops were ruined: he moved around, still jabbering, opening the shutters, the windows. Consoled, once again she saw the sweet and distant resplendence of the village, and those everlasting words blossomed in her sweet memory: ‘Open the balconies – open the family terraces and loggias’: almost as though the reconstituted society of men had reappeared to her after a long night. And the faithful retainer, here, in front of the cats, was moving about the house: from his own hearth to another, so spacious and gelid: carrying flares, thyrsi; and then on the stairs; doors and windows banged behind the quadrupedal flight of clogs. And twigs and branches dropping more or less everywhere along the man’s route. And the wind had lost itself towards the plain, in the direction of Pequeño.