Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
Gogol’s Wife
Translated by Wayland Young
At this point, confronted with the whole complicated affair of Nikolai Vassilevitch’s wife, I am overcome by hesitation. Have I any right to disclose something which is unknown to the whole world, which my unforgettable friend himself kept hidden from the world (and he had his reasons), and which I am sure will give rise to all sorts of malicious and stupid misunderstandings? Something, moreover, which will very probably offend the sensibilities of all sorts of base, hypocritical people, and possibly of some honest people too, if there are any left? And finally, have I any right to disclose something before which my own spirit recoils, and even tends towards a more or less open disapproval?
But the fact remains that, as a biographer, I have certain firm obligations. Believing as I do that every bit of information about so lofty a genius will turn out to be of value to us and to future generations, I cannot conceal something which in any case has no hope of being judged fairly and wisely until the end of time. Moreover, what right have we to condemn? Is it given to us to know, not only what intimate needs, but even what higher and wider ends may have been served by those very deeds of a lofty genius which perchance may appear to us vile? No indeed, for we understand so little of these privileged natures. ‘It is true,’ a great man once said, ‘that I also have to pee, but for quite different reasons.’
But without more ado I will come to what I know beyond doubt, and can prove beyond question, about this controversial matter, which will now – I dare to hope – no longer be so. I will not trouble to recapitulate what is already known of it, since I do not think this should be necessary at the present stage of development of Gogol studies.
Let me say it at once: Nikolai Vassilevitch’s wife was not a woman. Nor was she any sort of human being, nor any sort of living creature at all, whether animal or vegetable (although something of the sort has sometimes been hinted). She was quite simply a balloon. Yes, a balloon; and this will explain the perplexity, or even indignation, of certain biographers who were also the personal friends of the Master, and who complained that, although they often went to his house, they never saw her and ‘never even heard her voice’. From this they deduced all sorts of dark and disgraceful complications – yes, and criminal ones too. No, gentlemen, everything is always simpler than it appears. You did not hear her voice simply because she could not speak, or to be more exact, she could only speak in certain conditions, as we shall see. And it was always, except once, in tête-à-tête with Nikolai Vassilevitch. So let us not waste time with any cheap or empty refutations but come at once to as exact and complete a description as possible of the being or object in question.