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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Trachi was born in Colophon of a secret union between a man and one of the numerous Thessalian horses that are still wild on the island. I am afraid that among the readers of these notes some may refuse to believe these assertions, since official science, permeated as it is still today with Aristotelianism, denies the possibility of a fertile union between different species. But official science often lacks humility: such unions are, indeed, generally infertile; but – how often has evidence been sought? Not more than a few dozen times. And has it been sought among all the innumerable possible couplings? Certainly not. Since I have no reason to doubt what Trachi has told me about himself, I must therefore encourage the incredulous to consider that there are more things in heaven and on earth than are dreamt of in our philosophy.

He lived mostly in solitude, left to himself, which was the common destiny of all like him. He slept in the open, standing on all four hooves, with his head on his arms, which he would lean against a low branch or a rock. He grazed in the island’s fields and glades, or gathered fruit from branches; on the hottest days he would go down to one of the deserted beaches, and there he would bathe, swimming like a horse, with his chest and head erect, and then would gallop for a long while, violently churning up the wet sand.

But the bulk of his time, in every season, was devoted to food: in fact, during the forays that Trachi frequently undertook in the vigour of his youth among the barren cliffs and gorges of his native island, he always, following an instinct for prudence, brought along, tucked under his arms, two large bundles of grass or foliage, gathered in times of rest.

Even if centaurs are limited to a strictly vegetarian diet by their predominantly equine constitution, it must be remembered that they have a torso and head like a man’s: this structure obliges them to introduce through a small human mouth the considerable quantity of grass, straw or grain necessary to the sustenance of their large bodies. These foods, notably of limited nutritional value, also require long mastication, since human teeth are badly adapted to the grinding of forage.

In conclusion, the centaurs’ nourishment is a laborious process; by physical necessity, they are required to spend three-quarters of their time chewing. This fact is not lacking in authoritative testimonials, first and foremost that of Ucalegon of Samos (Dig. Phil., XXIV, II–8 and XLIII passim), who attributes the centaurs’ proverbial wisdom to their alimentary regimen, consisting of one continuous meal from dawn to dusk; this would deter them from other vain or baleful activities, such as avidity for riches or gossip, and would contribute to their usual self-restraint. Nor was this unknown to Bede, who mentions it in his Historia ecclesiastica gentis Anglorum.

It is rather strange that the classical mythological tradition neglected this characteristic of centaurs. The truth of the fact, however, rests on reliable evidence, and moreover, as we have shown, it can be deduced by a simple consideration of natural philosophy.