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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Name and Tears

Translated by Erica Segre and Simon Carnell

I was writing in the gravel in the garden and it was dark already; lit for a while now by the lights from all the windows.

The guard passed by.

‘What are you writing?’ he asked.

‘A word,’ I replied.

He bent down to have a look, but couldn’t make it out.

‘What word is it?’ he asked again.

‘Well,’ I said. ‘It’s a name.’

He jangled his keys.

‘With no ‘Long live …’? No ‘Down with …’?’

‘Oh no!’ I exclaimed.

And I laughed as well.

‘It’s the name of a person,’ I said.

‘A person you’re waiting for?’ he asked.

‘Yes,’ I replied. ‘I’m waiting for her.’

Then the guard walked away, and I resumed my writing. I wrote and reached the earth beneath the gravel: I dug and wrote, and the night turned blacker still.

The guard returned.

‘Still writing?’ he asked.

‘Yes,’ I said. ‘I’ve written a bit more.’

‘What else have you written?’ he asked.

‘Nothing else,’ I replied. ‘Nothing except that word.’

‘What?’ the guard shouted. ‘Nothing except that name?’

And he rattled his keys again, and lit his lantern to have a look.

‘So I see,’ he said. ‘There’s nothing there but that name.’

He raised the lantern and looked into my face.

‘I’ve written it deeper,’ I explained.

‘Is that right?’ he replied. ‘If you want to continue, I’ll give you a hoe.’

‘Give it to me,’ I said.

The guard gave me the hoe, then went off again, and with the hoe I dug and wrote the name deep into the ground. In truth I would have inscribed it as far down as seams of coal or iron are found, down to the most secret metals, which bear ancient names. But the guard came back again and said: ‘You have to leave now. It’s closing time.’

I climbed out of the name ditch.

‘All right,’ I replied.

I put down the hoe, wiped my brow and looked at the city around me, through the dark trees.

‘All right,’ I said. ‘All right.’

The guard grinned.

‘She hasn’t come, right?’

‘She hasn’t come,’ I said.

But immediately afterwards I asked: ‘Who hasn’t come?’

The guard lifted his lantern and looked into my face like before.

‘The person you were waiting for.’

‘Yes,’ I said, ‘she hasn’t come.’

But then once again, straight away I asked: ‘What person?’

‘Damn it!’ the guard said. ‘The person with the name.’

He shook his lantern, rattled his keys and added: ‘If you’d like to wait a little longer, don’t mind me.’

‘That isn’t what matters,’ I said. ‘But thanks.’

But I didn’t leave, I stayed and the guard stayed with me, as if to keep me company.

‘Lovely night!’ he said.

‘Lovely,’ I said.

Then, carrying his lantern, he took a few steps towards the trees.

‘I wonder,’ he said. ‘Are you sure she’s not there?’

I knew that she could not have come, yet I was startled.