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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

The mockery was becoming brutal. Leonia felt that she was being ignominiously mocked, with utter impunity. When would the great day arrive? She was out of practice as a cook, having been reduced to repeating the same old dishes year in, year out, with the accuracy of a chronometer. She felt out of sorts, offended and worried at the same time.

More plates, and more glasses were brought to the house by the master: two large silver-handled carafes engraved with foxes, a little jug of eccentric design, a baroque soup tureen, a small vegetable dish and a pale-violet sauce boat in the shape of a tulip. It was immediately obvious that the master harboured a particular weakness for this trinket; a predilection, a favouritism, a genuine tenderness: holding it gently on his fingers he seemed as if he wished to play with it; bringing it close to his face he seemed inclined to kiss it, or even to eat it, he liked it that much. One day he seemed about to drop it, but with an agile twisting of his whole body managed at the last moment to catch it again. If only it had fallen: what joy! To see it shatter into smithereens: what satisfaction – what happiness! She would never agree to serve mayonnaise in a tulip.

The pleasure of taking these objects in and out of the cupboard seemed to exude from this man’s every pore.

And some time later he brought home a box so heavy that he came in panting, bathed in sweat, exhausted. Leonia did not rush to help him.

The box contained a gilded silver cutlery service fit for a prince. Followed by a tablecloth as fine as butterfly wings, and twelve dainty napkins of cloth so thin and delicate they seemed to have been cut from the air itself: in his hands they seemed on the point of floating away, and were covered with posies of flowers so delicate in colour and design that they regaled the eye with all the freshness and vitality of a garden. And then, with a final flourish, a great bunch of roses made in mother-of-pearl and another in silver, obviously intended to complete a sumptuous table for a feast.

The cupboard was completely full. Benedetto Vai was constantly coming and going, opening and closing it, in order to arrange, dust and admire each object, with an insatiable pleasure and exacting touch. Every so often he would extract one to admire it particularly and comprehensively. He would carry the piece to the window, only deciding with tiresome slowness to return it to its place again.

Leonia watched him with a look that seemed to be getting more rebellious by the day. She would track him with the suspicious glare of a wild animal, and circle around him.

Benedetto Vai, who throughout his long existence had enjoyed exceptionally robust health, began to feel unwell. He had retained the physique and complexion of his youth, but succumbed now to an unforeseen and sudden collapse.