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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Having looked for a good while at the incomparably beautiful glasses, with an admiration and gratification that appeared to be inexhaustible and which provoked in the mind of the woman an unbearable anguish, Benedetto Vai began to dedicate himself to emptying his cupboard of the thousands of useless things that had accumulated there. He threw everything away with disdain, and after having dusted the shelves he arranged the glasses in a row on the topmost one, deriving great joy from the sight of them, looking and looking again at them once they were inside, as if he were reluctant to lose sight of them by closing the cupboard door. And he would carry one with him to the window so as to examine it against the light, to savour the fragility of its material, its ingenious design, the exquisite workmanship. They really were exceptionally beautiful: execution, form and material coming together in a harmonious and perfect whole.

Glowering like a beast about to pounce on its prey, while he delighted in admiring his glasses, Leonia paced around him.

Some time later, at the same hour, Benedetto Vai arrived home with a second bundle, this time an extremely heavy one which he also placed, as was his habit, on the table in the bedroom.

When he began to unwrap it, it revealed twelve antique plates of a most prestigious make, magnificently gilded, with stunning hand-painted miniature flowers. He could not get enough of looking at them, of placing them in every possible light and in every possible position so as to be able to enjoy them to the full.

So the drinking was going to be accompanied by something solid – drink naturally goes with something to nibble on – a dessert probably, those plates undoubtedly suggested nothing less than a full entertainment. The arrival of a third package, a few days later, caused the woman to be even more taken aback. Was he hosting a lunch? The new dinner plates were splendid, the quality of the painting and gilding seemed exceptional. A lunch for whom? She wanted to look into the faces of those who would come to eat in a house where for twenty years an iron rule of silence had reigned. Leonia continued to glower, and became ever more sullen. The matter could not end there. At the right moment she too would open the floodgates, to make up for having stayed silent for so long. The neighbours had been right all along, and if everyone said so it had to be true: the master she had so recklessly loved, and followed blindly in every respect, was nothing other than a madman, a mental case fit for an asylum who just happened to be living in normal society.

The master brought still more packages to the house. Twelve small glasses no less elegant than the others, engraved with images of flying doves. How delightful, what miraculous craftsmanship: prodigious; a dream.

Nowadays the master did nothing else during the day but open and close his cupboard in order to admire, dust and rearrange to their advantage the extraordinarily beautiful objects that could be found inside: to accord each one an appropriate place, always more apposite, so as to facilitate and reduce the risk of removing and returning them.