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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I’ve always made my friends laugh because of the great many … what do you call them? Alterations? Yes, alterations in my personal characteristics. But you’ve been able to laugh at them because you’ve never condescended to consider my urgent need to look at myself in the mirror, with a different appearance; to trick myself into believing that I was not always the same person, to see myself as someone else!

But of course! What could I alter? It’s true that I went so far as to shave my head to see myself bald before my time. At times I shaved off my moustache, leaving my beard, or vice versa. At times I shaved off my moustache and beard, or I let my beard grow now one way, now another. A goatee, parted on the chin or running along the line of the jaw …

I played around with the bristles.

I couldn’t at all alter my eyes, nose, mouth, ears, torso, legs, arms or hands. Did I put on make-up like a theatre actor? I sometimes had that temptation. But then I thought that, under my mask, my body always remained the same … and was growing old!

I tried to make up for it with my spirit. Oh yes, with my spirit I was able to play around better!

Above all, you value and never tire of praising the constancy of feelings and the coherence of personality. Why? Always for the same reason! Because you are cowards. Because you’re afraid of yourselves. That is, you’re afraid that if you change, you’ll lose the reality you have given yourselves and you’ll recognize, therefore, that it was nothing more than an illusion of yours and, consequently, that no reality exists other than the one we give ourselves.

But, I ask, what does giving oneself a reality mean if not fixing oneself in a feeling, becoming congealed, stiff and encrusted in it? Therefore, arresting in ourselves the perpetual vital movement, making of ourselves so many small miserable pools destined for putrefaction, while life is a continuous flux, incandescent and indistinct.

See, this is the thought that perturbs me and makes me furious!

Life is wind. Life is sea. Life is fire. Not earth, which becomes encrusted and takes on form.

All form is death.

All that is removed from the state of fusion and congeals amid this continuous flux, which is incandescent and indistinct, is death.

We are all beings that have been caught in the trap, separated from the ceaseless flux and fixed to die.

The movement of this flux is in us, in our form, which is separated, detached and fixed, and will last for a brief moment more. But, see, little by little, it slows down. The fire cools down. The form dries up and finally movement ceases completely in the form, which has become rigid.

We have finished dying and we have called this life!

I feel caught in this death trap that has separated me from the flux of life in which I flowed without form, and has fixed me in time, in this time!