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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Sunday morning, the woman woke up to find the daughter next to her in bed. She left the bedroom. She went to the kitchen. Light filtered in through the embrasures, constricted but intense. She moved around the room. From every slit, on each wall, that dazzling sun, and segments of the town, immersed in a din that merged with the light. The woman took a tranquillizer, because the left side of her chest was hurting, and she made herself some coffee, which she drank from a bowl, without sugar, with a little milk. Then she started to smoke.

They’d already used up the water in the bathroom. It shut off at seven, they would turn it on again in the evening. She washed up with what was left in the tank and glanced, with remote satisfaction, at the voluminous hairstyle, Geisha-like, that the hairdresser had given her the day before, which still looked good.

The house was familiar to her, like his previous ones.

While she smoked and drank coffee in the narrow kitchen, waiting for the tranquillizer to get rid of the tightness in her chest – enveloped by the din of voices that came from down below – the others woke up. There wasn’t much in the house for breakfast. And so they decided to go to the sea, and to have breakfast at a bar. But before heading out, the daughter wanted her mother to explore the tower the way she had, excited, in the dark, the night before. The woman didn’t want to; she felt crabby, and didn’t want to pretend to be charmed. But she went.

The light, which had been broken up, in the rooms, by the slender contours of the embrasures, reassembled in a circle at the top of the tower: the red roof-tiles of the town, the ilex-lined avenue, the piazza in front of the castle with a horrid white statue of San Francesco from the 1930s2 (replacing the usual unknown soldier), the orange and yellow fields, the lakes formed by the distant lagoon, the narrow strip of beach, the sea, the islands; all of it bathed in the clear, fresh, strong September light.

They went into town. A few small shops, built up around the castle, replacing the old stables and oil mills. The bar, the dairy, the barber. They entered the bar thronged with men: the woman ordered a brandy, the daughter had a buondì snack and a fruit juice, the father a coffee. While waiting for the bus they walked around the little streets: houses painted white, with peppers and tomatoes hung out to dry, and chairs, those too hung up high, on hooks; there were large plates of figs exposed to the sun, and conserves kept safe from children and animals. They felt a bit uncomfortable walking there, because every tiny alley was like a house, and people in those nestled towns weren’t used to tourists. They proceeded to walk along the walls, which had small dwellings built into them. The daughter was tired of walking and seeing stones, fields, houses.