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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Good morning, Bago.’

Ismene is sitting on the bed, her head leaning to one side, her hands clasped together and still warm from the night, smiling in the direction of Bago, as if he were a strong, protective father. She sits there listening. The bedroom smells of dreamt dreams, like wilted flowers. The only trace the dreams leave behind is this smell, and if the bedroom stinks in the morning it’s because we’ve had bad dreams. The morning light peeks through the blinds in stripes, shining like the rungs of a golden ladder through the drawn curtains. The furniture is a heavy shadow emerging from the pallor of the wall. Ismene’s undergarments glow white on a chair. A crown of light of unknown origin trembles on the ceiling, a halo within which the head of an angel might appear. But Billi is no angel.

What is Ismene waiting to hear? What does she hear? What did she hear?

(Ismene alights from the bed and races barefoot to open the window.)

Nothing echoed in the room, yet Ismene has still heard and is content. This morning she is more impatient than usual for the awaited voice, more happy that she has heard it. Today Billi is coming back from his long trip. Today more than other days Ismene needs to feel the presence and protection of Bago.

Now the room is bright, the smell of withered dreams has dissipated. Ismene lingers at the window; down in the valley some vapours are still floating. She is content. Beneath her nightgown her body turns pink, and darkens at the fold of her thighs and hips in a triangular shadow like the eye of a mysterious god. But who apart from Bago can see the skinny body of Ismene beneath the veil of her nightgown, like a big pink fish beneath a sliver of water? Ismene isn’t embarrassed by Bago … Yet she is. But it’s another kind of embarrassment. It’s the fear of doing something to Bago that shouldn’t be done to Bago. Before opening Bago’s doors Ismene stands there, unsure of herself, like when she was a little girl and was about to unbutton her daddy’s jacket and fish his pocket-watch out of his vest to hear it chime the hours and quarter hours.

Daddy, Mummy, Bug, Bago, Billi. Rutiliano was a name so different from those names, which seem to have been shaped deliberately by the mouth of a child, a stutterer, a weak little baby. What a strange name, Rutiliano!