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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

It was eleven o’clock already. One of them lit the lantern: the signal that they were ready to be collected and taken aboard the steamer. When he extinguished it again, the darkness seemed even thicker and more menacing. But just a few minutes later, from the relentless breathing of the sea a more human, domestic sound emerged from the water, like that of buckets being rhythmically filled and emptied. And then came the sound of voices, a muffled chatter. They found themselves in the presence of Signor Melfa, which was the name they knew the organizer of their great adventure by, even before realizing that the boat had touched land.

‘Is everyone here?’ he asked. Signor Melfa turned on a torch and counted heads. Two people were missing. ‘Maybe they’ve had second thoughts, maybe they’ll turn up later … Either way, so much the worse for them. What’s the point of waiting for them, with the risks that we’re running already?’

Everyone agreed that it was not worth waiting.

‘If any of you doesn’t have the cash ready,’ warned Signor Melfa, ‘they might as well start walking home again right now – because if anyone thinks that they’re going to spring that little surprise when we’re already on board they’re making a big mistake. If that happened I swear I’d drop the whole lot of you back off again. Then everyone would suffer, thanks to one person, which isn’t fair – and that person would be made to pay with a beating from me, and from his mates too, that he’ll remember for as long as he lives. If he’s lucky, that is …’

Everybody swore that they had the necessary cash, down to the last lira.

‘Get aboard then,’ said Signor Melfa. And suddenly each of the travellers became a formless mass, a confused bundle of luggage.

‘Christ! – and have you brought the kitchen sink with you as well?’ Signor Melfa began to blurt out curses, only stopping when the whole cargo – men, bags and baggage – had been bundled into the boat, at the risk of persons or luggage ending up overboard. For Signor Melfa, the difference between a person and an item of luggage was that the person had two hundred and fifty thousand lire on him, stitched into his coat or held between his shirt and skin. He knew them; he knew them only too well: these peasant bastards, these louts.

The journey did not last as long as expected: eleven nights, including the one on which they’d left. And the nights were counted rather than the days, because they were nights of suffocating, atrocious overcrowding. They felt submerged in the combined reek of fish, diesel and vomit – as if in a hot, black, bituminous liquid. They were oozing it at daybreak, exhausted as they climbed on deck seeking light and air. If for them the idea of the sea was associated with a verdant, undulating plain stirred by the wind, the real sea terrified them: their insides clenched and knotted, their eyes were painfully blinded if they so much as attempted a glance towards the horizon. But on the eleventh night Signor Melfa ordered them on deck. At first they thought they could see dense constellations that had descended on to the sea, like flocks – but these turned out to be towns; the towns of wealthy America glittering like jewels in the night. And the night itself was enchanting: calm and gentle, a half-moon sailing amidst a transparent fauna of clouds, with a lung-clearing breeze.