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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Carobene was right: It really was something else. The heat was violent in Augusta too, but, no longer reflected back by walls, it produced not dreadful prostration but a sort of submissive euphoria; the sun, shedding its executioner’s grimace, was content to be a smiling if brutal giver of energy, and also a sorcerer setting mobile diamonds in the sea’s slightest ripple. Study ceased to be toil: Gently rocked by the boat in which I spent hours on end, each book seemed no longer an obstacle to be overcome but rather a key offering me passage into a world, a world I already had before my eyes in one of its most enchanting aspects. I often happened to recite the verses of poets aloud, and thus the names of those gods, which most people have forgotten or never knew, again skimmed the surface of the sea that would have once, at their mere mention, risen up in turmoil or subsided into dead calm.

‘My isolation was absolute, interrupted only by visits from the farmer who brought me my few provisions every three or four days. He would only stay for five minutes; seeing me so exhilarated and dishevelled, he must have thought me dangerously close to madness. And in truth, the sun, the seclusion, the nights passed beneath the wheeling stars, the silence, the scant nourishment, the study of remote subjects wove around me a spell that predisposed me to marvels.

‘This came to pass on the morning of 5 August, at six o’clock. I hadn’t been up for long before I was in the boat; a few strokes of the oars took me away from the pebbled shore. I’d stopped at the base of a large rock whose shadow might protect me from a sun that was already climbing, swollen with dazzling fury and turning the whiteness of the auroral sea gold and blue. As I declaimed I sensed that the side of the boat, to my right and behind me, had abruptly been lowered, as if someone had grabbed on to climb up. I turned and saw her: The smooth face of a sixteen-year-old emerged from the sea; two small hands gripped the gunwale. The adolescent smiled, a slight displacement of her pale lips that revealed small, sharp white teeth, like dogs’. This, however, was not a smile like those to be seen among your sort, always debased with an accessory expression of benevolence or irony, of compassion, cruelty or whatever the case may be; it expressed nothing but itself: an almost bestial delight in existing, a joy almost divine. This smile was the first of her charms that would affect me, revealing paradises of forgotten serenity. From her disordered hair, which was the colour of the sun, seawater dripped into her exceedingly open green eyes, over features of infantile purity.

‘Our suspicious reason, howsoever predisposed, loses its bearings in the face of the marvellous, and when it perceives it, tries to rely on the memory of banal phenomena. Like anyone else would have, I supposed that I’d met a swimmer. Moving cautiously, I pulled myself up to her level, leaned toward her and held out my hands to help her aboard. Instead she rose with astonishing strength straight out of the water to her waist, encircled my neck with her arms, wrapping me in a never before experienced perfume and allowed herself to be pulled into the boat. Her body below the groin, below the buttocks, was that of a fish, covered with tiny pearly blue scales and ending in a forked tail that slapped gently against the bottom of the boat. She was a Siren.