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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I suppose it’s strange to hear me use an expression like that: a sound that ties a knot. But it does. You have to realize that, since I live alone, everything that surrounds me strikes me in a singular way. Other times, instead of turning back, I stop at the first landing. I hear the phone ringing even more intently, almost desperately. It implores in the solitude of the empty rooms. I go down a few more steps, and now other calls from neighbouring apartments layer on top of that one, all of them blending into a single plea, almost as if they’re asking to be freed from the device.

When the cleaning lady’s here to tidy up my place in the mornings, she’s the one to answer the calls. Coming back home I find, written on a pad, the name of whoever has asked for me. It’s almost always people I don’t know. Maybe because the cleaning lady mangles the names. I wouldn’t know how else to interpret certain phenomena: certain people, a man or a woman, declare that they urgently need to talk to me, they say they’ll call back; but no one ever does, or almost never. So, what’s the hurry? I’ve noticed that this sort of thing tends to occur on specific days, on sunny days, for example.

It doesn’t only happen with people who call me on the phone, but also with those who show up at my door. I’m often told that someone who absolutely must see me came by in a great hurry, and that he’ll come back, as usual; and as usual, this person never turns up again. I must say that under other circumstances – were I to live in a small town, for example – such things wouldn’t matter. But certain mechanical devices, like the telephone, have lent life a certain drama, and someone who calls you on that piece of equipment is nothing but the shroud of a man – his soul, his essence, all of him, reduced to that beseeching voice. As for why I care so much about who’s been trying to get in touch with me, and even feel a bit anxious about it, that’s another matter.

It stirs up memories of when I was younger, when people asked after you not to get something, but rather, to give. You might say I’ve gauged my life with this device. Once they were people who augured kindness, unknown women who proposed a walk, given that it was a pleasant day. It didn’t matter that, later, they laughed at me. Not all of them, though. Others uttered scalding words into that tube, with brazen voices. Not to me, naturally, but to a stranger, to the unknown, to hope. Then, imperceptibly, the situation changed. Typically, the person who now calls asks for something. I’ve become a man. I expect nothing from others. I’ve got to give the little I can.

And yet the wishful thinking of those days remains. And every time someone calls and then doesn’t show up, I remember that ancient longing. No, it doesn’t only happen to me. In my salad days I saw old men who’d already gone grey, nearly falling over, anxiously waiting for someone who’d called once to call again; and they, too, would wait in vain. A man never tires of waiting.