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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I’m not a Catholic, even though my parents had me baptized (I could, in good conscience, declare that ‘I don’t remember the event’), and even though my three sons were baptized: to keep the peace, because it’s what Viola and my parents and my in-laws want. My point is, I don’t have the sense of sin that plagues Catholics. And I’m obviously a man of my time, by which I mean prey to the tensions and suggestions – contradictory, of course – of our age. Certainly I feel the influence of advertising, all the more pernicious the more subtle and clever it is. Now, the most widely advertised ‘item’ in Italy today is, precisely, sex. Literature, cinema, fashion and custom impose it on us continuously. My natural inclination to give in completes the picture.

So without regrets and without complexes, one fine day I made up my mind and telephoned the number a friend had given me. I had only to mention his name, and the female voice, at the other end, invited me to appear, that very evening at five, in an establishment in the neighbourhood of Via Archimede, in the name of a certain Armida Ceccarelli, renter of rooms by profession. She was a woman of around fifty, jovial and still attractive. She welcomed me politely and immediately led me into the living room, where the girl, who said she was called Milly, was watching television.

It was a Thursday afternoon, and so Passport, an English lesson with Jole Giannini, was on. I remember that the screen showed a mock-up of a greengrocer, and the professor was reeling off the various names. ‘Beans,’ she said in perfect English. ‘Peas, cucumbers, onions, garlic, avocado, artichoke.’ It occurred to me that articiocco is a term for carciofo, artichoke, widespread in various northern dialects, in an area, perhaps, of Lombard contamination. But I wasn’t sure and resolved to ask confirmation from a friend and customer, a philologist.

The girl, Milly, was watching, interested, then Signora Armida returned with two small Turkish towels, handed them to us, and asked if we wanted to make ourselves at home, pointing to the door of her bedroom. The cost was ten thousand lire. Not bad. I realized later that half the amount went to the girl, half to the landlady. Before she left, Armida urged me to come again soon.

After that I returned several times to the Via Archimede neighbourhood, always after calling to make an appointment. I ended up becoming friendly with the signora, who recounted her troubles – her widowhood, her rheumatic pains, her gossiping and nosy neighbours, the demands and hang-ups of certain girls. For my part, I managed to tell her my tastes, because I like women who are a bit short and plump, with curves in the right places, in other words. And I have to say that the signora always tried to please me and that we always got along until the day I read in the newspapers of a police raid at that address in the Via Archimede neighbourhood: they had jailed Armida Ceccarelli and also a Gennaro Lo Cicero, twenty-eight, her lover and business partner in the exploitation of the prostitution of others: under the Merlin Law it’s up to seven years flat. After that, I never heard about Signora Armida again.