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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I could not bear the Maremma. I had been seized by an intense aversion at the first document that happened to come before my eyes concerning the territory and its inhabitants. I had previously read many books about the horsemen of the American prairies, and I had seen innumerable films about their astounding adventures – books and films that had excited me. A couple of years of my life had been dedicated to the horses, lassoes, huge hats and pistols of those extraordinary men. In my heart there was no room for anybody else. When they arrived to free sidekicks captured by the Indians, I felt that their fluttering little flag represented freedom; and I would have hurled myself at the throat of whoever declared himself on the side of White Deer and Son of Eagle. When the wagon train, forced to form a circle to brave the attack of the murderous Indians, would return joyful and ready to set forth over the immense deserted prairies and the deep mountain gorges, I felt as if men had again won the right to traverse the world. The names of those horsemen – I used to know the names of every hero of every serialized novel and every film – were always on my lips. I judged every person by comparing him to them, and very few withstood the comparison. When I read that a stone’s throw from my house – one might say – there lived men who lassoed wild animals, tamed bulls, dressed in Far West gear (more or less) and camped at night beneath the starry sky wrapped in blankets around blazing fires with their rifles and faithful dogs close by, I burst into a fit of laughter. I couldn’t even take seriously the stories about the faithful dogs, which are common and accepted throughout the world. I pored over many maps and increasingly convinced myself that in an area so close to me there couldn’t possibly be wild animals, brave men or any likelihood of adventures. Nor could there be the sweetest dark-haired women who sang on canvas-covered wagons and, if need be, loaded their partners’ weapons. No, the horsemen of the Maremma were poor copies of the heroes of my acquaintance. Those in the books and films constantly fought against Indians and robbers; but there, a stone’s throw away, what robbers could there be? The era of the famous old bandits seemed to be distant, if they had ever existed; I had my doubts about them as well.

When I went to study at F., this is precisely the way I thought. I could not therefore stand the nickname ‘Maremmano’.

I used to play football with skill, but also with a certain roughness, notwithstanding that I was small and thin. I immediately distinguished myself the first time I went on the field with my classmates, and they put me at inside left forward on the squad that represented the high school in the student championship. I played several games, earning much applause.