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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘You see how beautiful it is, with no need to go to the seaside?’

I felt the entirety of her innocent soul pressing against me. I was overcome by love. And I, too, now searched for something simple to say to her. With my cheek resting on her cool arm, I whispered:

‘Your modest desires deserve a prize.’

She softened and once again laughed joyfully. But when I didn’t join in she stopped laughing and looked at me expectantly. Something fluttered in the air and touched me. I saw that she also had felt something. Her shoulders instantly trembled and she said:

‘What is it? How beautiful!’

The whole room filled with a kind of light breath which then immediately disappeared. All around me I saw a flickering light; this too passed before my and Aminta’s eyes, then fled away.

‘Oh, how fabulous this is!’ Aminta murmured.

She was sitting at the edge of the carpet and I was further back, almost behind her. A sweet, strange murmuring sound reached us, fading at her feet. I saw that she was listening intently.

The ground murmured again, while before our eyes everything in the room vanished into a light mist infiltrated by blue shadows and silver flashes.

By now the murmuring coming from the ground had become regular and frequent. It originated far away, swished nearby and died down at her feet. The murmuring then became prolonged: one, coming close, seemed to expand. Suddenly, she let out a cry and drew back her feet.

‘Look, look,’ she cried.

I looked. Her green slipper was wet, as was her foot up to her ankle.

And again, again …

The gushing increased. The sound of tiny waves arriving at the edge of the carpet continued, pushing at her feet and alongside her legs. Fearlessly, she leaned forward, plunged her hands into those waves, then lifted them out dripping with water.

‘The sea, the sea.’

The silver and blue mist around us filled with light and the carpet burned like sand. Aminta dived in, outstretched, her breasts extending over the edge, then she came back up, the wet silk clinging to her chest, her nipples erect. I stared at her, ecstatic, and listened to the sea, which had come to visit us.

Suddenly, a bigger wave reached me and I felt the water rising as far as my calves.

I jumped to my feet, alarmed: ‘Aminta, I’d better go and put on my bathing suit too.’

‘Yes,’ she cried. ‘There’s one in the bottom drawer of your bureau, but hurry.’

And both of us were very happy.

‘La spiaggia miracolosa ovvero Premio della modestia (Aminta)’

Written between 1925 and 1927 and published in a national newspaper, then included in Donna nel sole e altri idilli (Mondadori, 1928) and in Miracoli (Mondadori, 1938).

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