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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

She stopped talking and lowered her eyes. The silence and her mother’s gaze made her uncomfortable.

– Adriana, you’re not pregnant, are you?

The daughter denied it emphatically.

– All the better, the mother said. At least you two can have a little fun. There’s time to have kids. You’re both so young.

Two men were talking a few feet away: one standing, the other seated on a stack of railroad ties. Adriana studied their gestures, muted by twilight. Her mother was also looking in their direction. The one standing up nodded goodbye to the other and came towards them, swinging a lantern. Passing by, he stared at Adriana. Adriana turned to her mother.

– Promise you’ll come back soon, she said.

– My dear girl, it’s not easy, with that man. I can’t leave him on his own.

– That’s what you think, Mum.

– Maybe, the mother replied. After a pause she added: But newlyweds should be left alone. I’m not one of those women always at their daughters’ house for every trifling thing.

– But in our case … Mario likes your coming now and then, the daughter said.

– And now and then, as you can see, I’ll pop over to see you. But not like women who install themselves for months in their daughters’ homes, or in their sons’, like your poor grandmother, God bless her soul. When she passed away I heaved a sigh of relief.

– Mum, the daughter scolded.

– Believe me, Adriana, it had become torture in the end. And since then I’ve told myself: When your daughter gets married, each of you will live in her own house, with her own husband. I learned the hard way, I can assure you, she added after a pause.

All at once the station lights turned on. Casting a last look at the countryside around the station, the two women realized it had turned dark.

– The days are getting shorter, the mother said.

They turned back. Bursts of laughter came from the station master’s room, and then the station master appeared in the doorway, smiling, with a cigar in his mouth, his cap at an angle. Adriana wished him a good evening.

– Good evening, the station master replied, without looking at her.

– Will it be much longer? Adriana asked.

The station master turned towards the room and made an enquiry.

– At least another ten minutes, he replied.

In the middle of the station a small crowd had gathered, composed mostly of labourers. They’d formed several small groups. Their discussion was lively, they were laughing: no one seemed bothered by the delay.

– Adriana, the mother said abruptly. Tell me the truth, you’re not fighting with Mario, are you?

– Of course not, Mum. What gave you that idea?

– I don’t know … I just got the sense … her mother said.

She glanced at her wristwatch, and then at the station clock.

– It’s just that Mario’s so busy, Adriana said. He never gets home before seven-thirty, eight o’clock. And after dinner he goes out, he always has.