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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

She noticed the empty chair next to her. A large foot emerged from beneath the hem of her long skirt and kicked it away. The men’s eyes widened noticeably. What a foot that bride has! Even the young men, holding their long billiards sticks, gathered closer. The woman continued to speak quietly. She hadn’t come to make a scene. She wanted to show what she knew herself to be – a civil woman. However, she also wanted to set the story straight. When one had such an enormous imagination, one never knew how far a story would go, and the old man still read all those books that had ruined his brain. She wouldn’t want for him to one day boast about having abducted and seduced her at eighteen, when instead she had married him at over thirty, but honourably so, accompanied by a healthy prenuptial agreement in which her husband was given access to very little of her money to squander. He had, of course, always resented this. Ah, so he had invented a cute little bride with geraniums in her hair? She didn’t like this, nor did she find it convenient. The gentlemen were embarrassing themselves by sitting there listening to all his drivel.

She smiled nastily, flashing her rotten teeth, then turned and left without saying goodbye to anyone. The creaking floorboards accompanied her all the way to the door, which she slammed behind her, the glass tinkling for a good while afterward. In front of the Malpasso, she was hit by a gust of wind and they saw her raise her hands and the shopping bag in order to keep her hat on. She then disappeared, that bunch of celery bouncing on top of her head.

At sunset the wind died down. Leaning against a railing near the river, the old man paused to look at the landscape. How much better it would have been if he had just contented himself with the view instead of letting himself be dominated by his usual weaknesses! Life is what it is, his wife is what she is, the river and hills are what they are. Instead, they had made a mockery of him … And who knew how long those who surely believed they too had been ridiculed would hold it against him?

Out of pity, the veterinarian, who had accompanied him, said: ‘Let’s try not to talk about it any more … But you made a mistake. The hours are long at the Malpasso and things last.’

The old man blinked his eyes and swallowed now and again. Finally he mumbled, ‘It’s just that … by now I was convinced of it myself. And it … did me good. Almost as if it had really happened.’

The other man took his arm and they made their way to the bridge. Ghosts are a private thing and should be cultivated in silence. Someone as old as he is should have known this. Ghosts can’t be used to remedy what others see as our mistakes, the compromises we once made.