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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

By now it was dark outside and from the window you could no longer see the tops of the cypress trees. The flowers on the tablecloth had started to wilt. I didn’t understand why we were sitting with that stranger or why we had spent so much money on that dinner, getting all dressed up, decorating the table with those dancing cupids that, ordinarily, were kept in a curio cabinet. There were no more festive occasions for us: not even Lello’s return could really be festive. I wanted to sweep away everything with a gesture, glasses flowers figurines, cross my arms over the tablecloth, bury my head and cry. It wasn’t enough, as proof of civilization, to have manufactured that porcelain or to have written those books squeezed into the shelves that lined the walls of the library. We had to demonstrate once again, to prove, to pass, all forty-five million of us together, a lengthy exam. I suddenly felt great compassion for myself. And the two men of my family overwhelmed me with feelings of pity. I didn’t want them to keep conversing, explaining. To me they seemed to be demeaning themselves through their honest arguments, being beaten, humiliated: maybe because they weren’t very big and Captain Smith was a whole head taller than them. ‘Let’s go away again,’ I wanted to say. ‘Let’s flee, abandon the house and the city once more, let’s go into hiding.’ Only this could be our fate, the experience of the past few years. To flee from house to house, town to town, crouched behind the thickets, watching our backs, plotting, fighting, even dying, but under fake names. How was it possible to go back to wearing nice clothes, to sitting in comfortable armchairs, reading or listening to music? We were not three people like any others who might host a visiting foreigner at their house. We were three of those poor Italians who, basically, despite many shortcomings, one was supposed to help.

We moved to the living room, continuing the conversation. But little by little, I went back to feeling the anguish that had accompanied me for many years now. It hadn’t dissipated even with the return of Lello, so I realized that it would not go away any time soon. It didn’t depend on a house or a person. It was everywhere, in the air. The certainty of being safe and young, and of still having books on the shelves and flowers on the table, wasn’t enough to expel it: and we couldn’t rejoice that the hard times were over, only that we no longer had to face them under false names.

So when the English officer took his leave and said, ‘Goodnight,’ it came as a great relief. He promised to come back before his return to England, which, he added with a smile, would be very soon. I knew we would never see him again. We were old enough to have already experienced many times, at home and abroad, other useless and polite encounters like this one. Captain Smith was a good man, filled with sympathy for our country and for us, as Lello had said. But as soon as the door was closed behind him I said, ‘Goodnight, guys.’ They did not detain me, and headed straight for their bedrooms. I watched them walking down the hall with deep tenderness. And I could not help but notice that the shoulders of my husband’s navy-blue suit were threadbare, really threadbare. And he was quite right to say that, nowadays, there was no sense in getting dressed up for dinner.