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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

And all his most bitter memories came back to him; came back horrible and deformed, like corpses washing up on a shore. The next day, and in those that followed, he began to argue with his servant, forcing him to quit.

‘Get out, and may you break your legs as you must have shattered those of the poor hind.’

Malafazza sniggered scornfully.

‘Yes, I broke them! I caught her with the rope, I trussed her up and carried her to a hunter. I got three francs and nine reali: here they are, look!’

‘If you don’t leave now, I’ll shoot you.’

‘You? Like you shot your wife’s boyfriend! Like you shot the man who betrayed your daughter!’

With a face darker than his hood, his green eyes bloodshot with fury, he unhooked the musket and fired. Through the purple gunpowder smoke he saw the servant leap up like the hind and take to his heels, howling.

Then he sat down again in front of the hut, with the weapon across his knees, without regretting what he had done and ready to defend himself if he came back. But the hours passed and nobody came. Night fell, gloomy and still: the mist enveloped the horizon with a grey ribbon, and the cows and the bullocks lingered with their muzzles in the grass, unmoving, as if already asleep.

A rustle of the bushes startled the old man, but instead of his nemesis he saw the hind jump out, coming up close to him until her muzzle brushed against the stock of the musket. He thought he must be dreaming. He kept perfectly still, and the creature, on not seeing the milk, craned her neck to peer into the hut. Displeased, she turned tail and swiftly retreated. For a moment everything was silent again.

The cat which was sleeping next to the fire woke up, turned around himself and settled back down again like a border of black velvet trim.

Once again there was a commotion within the line of overgrown scrub, once again the hind popped out, leaping across the clearing. Immediately behind her, a buck leapt into view (the old man recognized the male by its darker skin and branching antlers), chasing and catching up with her. They leapt one on top of the other, in the most lively fashion, tumbling together, getting up again and resuming the race, the pursuit, the assault. The entire ancient landscape, pale in the autumn evening, seemed to rejoice in their coupling.

A little later the gentleman farmer passed by, with his plough covered with soot-black earth.

‘Baldassà, what have you done?’ he said in a voice that was grave but tinged with irony. ‘The law is out looking for you.’

‘Here I am!’ replied the old man, calm again.

‘But what made you injure your servant?’ the other insisted, determined at all costs to discover the reason behind their falling-out.

‘Leave me alone,’ the old man said at last. ‘Well if you must know, it was because of that little creature: In her eyes I saw the eyes of my poor daughter Sara.’