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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Attilio had attacked him but didn’t look him in the face; indeed, he had lowered his head on Carlo’s chest and his hair kept brushing his chin. He squeezed the muscles of Carlo’s arm and Carlo squeezed his, but Carlo was unable to open his mouth and cry out: What the hell’s the matter with you? For now he smelled – he saw it enter his nostrils like dirty white smoke – the smell of death, that smell that can be reproduced, if much too lightly, by doing what we said at the beginning. So he kept his mouth clamped shut, and when at the height of his exertions he could no longer breathe enough air with his nose, he twisted his head away until his neck bone creaked. It was while twisting his head that he saw the dispatcher, standing there watching and making no move to intervene. Couldn’t he understand that they were fighting, when the two of them looked like a couple of drunkards leaning on each other for support? But what the dispatcher couldn’t imagine was how they were gripping each other’s muscles. Carlo was wondering how Attilio’s frightfully skinny arms were able to resist his grasp and not turn into pulp. But Attilio’s grip was terribly strong too, and if he hadn’t had to keep himself from swallowing the smell of death, Carlo would have cried out in pain.

He had already realized why Attilio had confronted him this way, and oddly enough it didn’t seem at all absurd or bestial to him. Carlo understood Attilio even while the man was trying to break his arms.

Now Attilio raised his head again and held it to one side, and Carlo saw his tight-shut eyes, his sharp cheekbones shining as though smeared with wax, and his mouth wide open to emit the smell of death. He too closed his eyes, no longer able to bear looking at that open mouth, and concentrated only on keeping his feet firmly planted on the ground and not loosening his hold.

Although the station bell had begun ringing insistently, he could distinctly hear Attilio’s heartbeat banging against his ribs as though to break through and burst on Carlo like a projectile.

He decided to put an end to it. That smell, he now smelled it everywhere inside him; it had passed through his nostrils, his mouth, his pores, as relentless as the very power that gave it off; already it must have enveloped his brain, for he felt crazed. He raised one leg and brought it forward to trip his opponent and knock him down into the gutter. But just then Attilio’s head slid slowly down Carlo’s belly, his hands too loosened their hold and came down along Carlo’s arms, now they grasped only his wrists, and gasping ‘Mhuuuh! Mhuuuh!’ he also let go of the wrists, and without Carlo even giving him a push, he ended up sitting on the ground. Then, toppled by the weight of his upturned head, he fell backward full length on the pavement.