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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

For many weeks nothing else happened; we saw the De Simones every so often, but Trachi’s behaviour revealed nothing of the storm that raged inside him. It was I, and none other, who provoked the breakdown.

One October evening, Trachi was at the blacksmith’s. I met Teresa, and we went for a walk together in the woods. We talked, and of who else but Trachi? I didn’t betray my friend’s confidence; but I did worse.

I quickly realized that Teresa was not as shy as she initially appeared to be: she chose, as if by chance, a narrow path that led into the thickest part of the woods; I knew it was a dead end, and knew that Teresa knew. Where the path came to an end, she sat down on dry leaves and I did the same. The valley bell-tower rang out seven times, and she pressed up against me in a way that rid me of all doubt. By the time we got home night had fallen, but Trachi hadn’t yet returned.

I realized immediately that I had behaved badly; actually, I realized it during the act itself, and still today it pains me. Yet I also know that the fault is not all mine, nor is it Teresa’s. Trachi was with us: we had immersed ourselves in his aura, we had gravitated into his field. I know this because I myself had seen that wherever he passed flowers bloomed before their time, and their pollen flew in the wind of his wake as he ran.

Trachi didn’t return. Over the following days, we laboriously reconstructed the rest of his story based upon witnesses’ accounts and his tracks.

After a night of anxious waiting for all of us, and for me of secret torment, I went to look for him myself at the blacksmith’s. The blacksmith wasn’t at home: he was at the hospital with a cracked skull; he was unable to speak. I found his assistant. He told me that Trachi had come at about six o’clock to get shoed. He was silent and sad, but tranquil. Without showing any impatience, he let himself be chained as usual (the uncivilized practice of this particular blacksmith: years earlier he had had a bad experience with a skittish horse, and we had, in vain, tried to convince him that this precaution was in every way absurd with regard to Trachi). Three of his hooves had already been shod when a long and violent shudder coursed through him. The blacksmith turned upon him with that harsh tone often used on horses; as Trachi’s agitation seemed to increase, the blacksmith struck him with a whip.

Trachi seemed to calm down, ‘But his eyes were rolling around as if he were mad; and he seemed to be hearing voices.’ Suddenly, with a furious tug, Trachi pulled the chains from their wall mounts, and the end of one hit the blacksmith in the head, sending him to the floor in a faint. Trachi then threw himself against the door with all his weight, head first, his arms crossed over his head, and galloped off towards the hills while the four chains, still constricting his legs, whirled around, wounding him repeatedly.